Locomotive Study (alternate design for mural study, Bowling Green, Kentucky Post Office)

Edward Laning, Locomotive Study (alternate design for mural study, Bowling Green, Kentucky Post Office), 1941, pencil, pen and ink, carbon pencil, sanguine ink wash, and Chinese white on paper, Smithsonian American Art Museum, Gift of Mrs. Mary Fife Laning, 1984.88.7
Copied Edward Laning, Locomotive Study (alternate design for mural study, Bowling Green, Kentucky Post Office), 1941, pencil, pen and ink, carbon pencil, sanguine ink wash, and Chinese white on paper, sheet: 14 1214 78 in. (36.737.8 cm), Smithsonian American Art Museum, Gift of Mrs. Mary Fife Laning, 1984.88.7

Artwork Details

Title
Locomotive Study (alternate design for mural study, Bowling Green, Kentucky Post Office)
Date
1941
Location
Not on view
Dimensions
sheet: 14 1214 78 in. (36.737.8 cm)
Credit Line
Gift of Mrs. Mary Fife Laning
Mediums Description
pencil, pen and ink, carbon pencil, sanguine ink wash, and Chinese white on paper
Classifications
Subjects
  • Study — mural study
  • Landscape — Kentucky — Bowling Green
  • Travel — water — riverboat
  • New Deal — Treasury Section of Painting and Sculpture — Kentucky
  • Figure group
  • Animal — cattle
  • Travel — land — train
  • History — United States — westward expansion
Object Number
1984.88.7

Artwork Description

Laning corresponded with various people in Bowling Green about possible subject matter for his mural, and the local newspaper solicited ideas from its readers. From the many suggestions he received, Laning worked out two proposals. Locomotive Study shows the city's first locomotive, which was brought by steamboat and hauled up the river bank by ox-teams. Laning included in the composition a bowling scene, as well as the tobacco and strawberry plants suggested by a local citizen.

His second idea, which was chosen for execution, featured a story about Kentucky's native son, Daniel Boone. He explained the tale as follows: "The 'Long Hunters' (so named for their prolonged stay in the wilderness) were alarmed one day by a strange sound in the forest. Veteran woodsmen though they were, the Long Hunters admitted they had never heard anything that remotely resembled it.... As one man [they] reached for their long rifles; and Casper Mansker, already famous as a woodsman, slipped silently off to investigate.... Gripping his loaded rifle, Mansker dodged from tree to tree--and came upon Daniel Boonie lying flat on his back on an outspread deerskin, all alone and singing cheerfully to himself. Indians or no Indians, Daniel felt happy that day; and like most men who lived much alone, he had a habit of singing and whistling to himself."

Although a few citizens critisized the mural as insufficiently serious in theme, an article in the Bowling Green Daily News praised the painting for its local character and national historical significance.

Special Delivery: Murals for the New Deal Era, 1988