Lower East Side music shop, from the series Old New York

Camilo José Vergara, Lower East Side music shop, from the series Old New York, 1970, inkjet print, Smithsonian American Art Museum, Gift of the artist, 2015.55.1, © 1970, Camilo José Vergara
Camilo José Vergara, Lower East Side music shop, from the series Old New York, 1970, inkjet print, image: 17 38 × 11 12 in. (44.1 × 29.2 cm) sheet: 19 34 × 15 34 in. (50.2 × 40.0 cm), Smithsonian American Art Museum, Gift of the artist, 2015.55.1, © 1970, Camilo José Vergara

Artwork Details

Title
Lower East Side music shop, from the series Old New York
Date
1970
Location
Not on view
Dimensions
image: 17 38 × 11 12 in. (44.1 × 29.2 cm) sheet: 19 34 × 15 34 in. (50.2 × 40.0 cm)
Copyright
© 1970, Camilo José Vergara
Credit Line
Gift of the artist
Mediums Description
inkjet print
Classifications
Subjects
  • Object — musical instrument — guitar
  • Architecture Exterior — commercial — store
  • Architecture Exterior — detail — window
  • Figure male — head
  • Performing arts — music
  • Cityscape — New York — New York
Object Number
2015.55.1

Works by this artist (10 items)

Albert E. Flanagan, Pelham Bay, Spring, 1922, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.277
Pelham Bay, Spring
Date1922
watercolor
Not on view
Albert E. Flanagan, The Magic City, 1935, etching on paper, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.273
The Magic City
Date1935
etching on paper
Not on view
Albert E. Flanagan, Flower Study, 1960, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.271
Flower Study
Date1960
watercolor
Not on view
Albert E. Flanagan, Wild Flowers from the Engadine, 1928, watercolor, Smithsonian American Art Museum, Transfer from S.I., Cooper-Hewitt Museum of Decorative Arts and Design, 1970.279
Wild Flowers from the Engadine
Date1928
watercolor
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

More Artworks from the Collection

Unidentified, Untitled (Child's quilt), ca. 1930, cotton and wool, Smithsonian American Art Museum, Gift of Patricia S. Smith, 2016.57.1
Untitled (Child’s quilt)
Artist
Unidentified
Dateca. 1930
cotton and wool
Not on view
Unidentified, Untitled (Amish Doll), ca. 1940, cotton, Smithsonian American Art Museum, Gift of Patricia S. Smith, 2016.57.11
Untitled (Amish Doll)
Artist
Unidentified
Dateca. 1940
cotton
Not on view
Richard Timothy Evans, Miss Havisham (Scrap Doll), ca. 1975, muslin and lace, Smithsonian American Art Museum, Museum purchase, 1975.138
Miss Havisham (Scrap Doll)
Dateca. 1975
muslin and lace
Not on view
Natasha Kempers-Cullen, Joie de Vivre, 1995, painted, printed, beaded, pieced, appliquéd, and machine-quilted commercial fabrics with glass and metallic beads, charms, antique buttons, and semi-precious stones, Smithsonian American Art Museum, Gift of Cynthia Boyer and Eleanor T. and Samuel J. Rosenfeld, 2000.34
Joie de Vivre
Date1995
painted, printed, beaded, pieced, appliquéd, and machine-quilted commercial fabrics with glass and metallic beads, charms, antique buttons, and semi-precious stones
Not on view