Maesta

Media - 2004.1A-C - SAAM-2004.1A-C_1 - 61336
Copied Sean Scully, Maesta, 1983, oil on canvas, 89 3⁄8 × 119 1⁄2 × 9 1⁄2 in. (227.0 × 303.5 × 24.1 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2004.1A-C, © 1983, Sean Scully

Artwork Details

Title
Maesta
Artist
Date
1983
Location
Dimensions
89 3⁄8 × 119 1⁄2 × 9 1⁄2 in. (227.0 × 303.5 × 24.1 cm)
Markings
on back of piece A upper left in black oil crayon: (sketch) back view on back of piece A upper left in black oil crayon: (arrow pointing left) B on back of piece A upper right in black oil crayon: Sean Scully / MAESTA 1983 / OIL on back of piece A center left in black oil crayon: (sketch) leave bolts in for travelling on back of piece B upper left in black oil crayon: MAESTA / 83 on back of piece B upper right in black oil crayon: (sketch) back view on back of piece B center left in black oil crayon: (sketch) leabe bolts in for travelling on back of piece B left tacking edge of canvas in black oil crayon: (arrow pointing left) A on back of piece B right tacking edge of canvas in black oil crayon: B (arrow pointing right) on back of piece C upper left in black oil crayon: (sketch) back view on back of piece C upper right in black oil crayon: (sketch) leave bolts in for travelling on back of piece C center left in black oil crayon: MAESTA / 1983 on back of piece C right tacking edge of canvas in black oil crayon: A (arrow pointing right)
Copyright
© 1983, Sean Scully
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums
Mediums Description
oil on canvas
Classifications
Highlights
Keywords
  • Nonrepresentational
  • Abstract — geometric
Object Number
2004.1A-C
Linked Open Data
https://edan.si.edu/saam/id/object/2004.1A-C

Artwork Description

Sean Scully says that his stripes "push out into the world, trying to be more than paintings." He thinks of color and light as expressions of life and his thick, multipaneled works are meant to create an experience that is at once physical and spiritual.

Made with bolted canvases and housepainter's brushes, Scully's paintings evoke the solidity of architecture. Yet Maesta also conjures a more transcendent realm. The work is titled after a famous multipaneled altarpiece by Duccio, the late thirteenth-century Italian painter. The power of Duccio's Maestà (1308--11) emanates from the unbroken rows of angels and saints surrounding the Virgin Mary, much as Scully's stripes, in contrasting lights and darks, appear to vibrate outward into the viewer's space.