Maquette for Bien Venida y Vaya Con Dios

Copied Maria Alquilar, Maquette for Bien Venida y Vaya Con Dios, 1985, ceramic, copper foil, wire, paint and plastic, overall: 2918 3813 38 in. (73.746.734.0 cm.) top: 2316 149 18 in. (58.441.323.2 cm.) bottom: 12 3418 3813 38 in. (32.446.734.0 cm.), Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1990.69A-B

Artwork Details

Title
Maquette for Bien Venida y Vaya Con Dios
Date
1985
Dimensions
overall: 2918 3813 38 in. (73.746.734.0 cm.) top: 2316 149 18 in. (58.441.323.2 cm.) bottom: 12 3418 3813 38 in. (32.446.734.0 cm.)
Credit Line
Transfer from the General Services Administration, Art-in-Architecture Program
Mediums Description
ceramic, copper foil, wire, paint and plastic
Classifications
Keywords
  • Animal — monkey
  • Religion — New Testament — Christ
  • Animal — rabbit
  • Religion — New Testament — Mary
  • Animal — coyote
  • Landscape — plant — cactus
Object Number
1990.69A-B

Artwork Description

Bien Venida y Vaya Con Dios, which translates as "Welcome and Go With God," was commissioned by the General Services Administration for the border station in San Luis, Arizona. Maria Alquilar created this sculpture to pay tribute to the resilient spirit of the Mexican people, who overcome adversity "[to] hope and work and live." The saguaro (cactus), which offers its water and flesh to those stranded in the desert, becomes an altar for Our Lady of Guadalupe. The baby she holds is a symbol of all Mexican children whose parents come to the United States in order to survive, while the cross stands among the rocks in memory of those who died in the attempt. The rattlesnake and spider monkey are native creatures of the Southwest, but the snake also stands for the temptation to leave one's home, as Adam and Eve left Eden, for "a more sophisticated hell than that which they have left." The coyote refers to the immigrant smugglers, or "coyotes," who take the immigrants' money and often leave them to die in the desert.

Exhibitions

Media - 1979.159.44 - SAAM-1979.159.44_1 - 56988
Sculpture Down to Scale: Models for Public Art at Federal Buildings, 1974 – 1985
May 31, 2019November 22, 2020
Artists used preliminary models—or maquettes—to communicate their ideas.