María Guabancex

Daniel Lind-Ramos, María Guabancex, 2022, Siding from the artist’s home, various metal construction elements,
dried palm tree branch, dried palm tree trunks, dried tree trunks, various textiles, painted coconut, FEMA
tarp, plastic bubble wrap, painted wood, plastic hoses, painted hose spigot, maracas, plastic tubing,
electrical cables, trumpet, metal cables, ropes, drum, metal buckets, painted vinyl,
 found shoes, and bedazzled boxing bags, Smithsonian American Art Museum, Museum purchase in part through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, and the Luisita L. and Franz H. Denghausen Endowment, 2022.41A-DD
Daniel Lind-Ramos, María Guabancex, 2022, Siding from the artist’s home, various metal construction elements, dried palm tree branch, dried palm tree trunks, dried tree trunks, various textiles, painted coconut, FEMA tarp, plastic bubble wrap, painted wood, plastic hoses, painted hose spigot, , 110 × 84 × 148 in. (279.4 × 213.4 × 375.9 cm), Smithsonian American Art Museum, Museum purchase in part through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, and the Luisita L. and Franz H. Denghausen Endowment, 2022.41A-DD

Artwork Details

Title
María Guabancex
Date
2022
Dimensions
110 × 84 × 148 in. (279.4 × 213.4 × 375.9 cm)
Credit Line
Museum purchase in part through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, and the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
Siding from the artist’s home, various metal construction elements, dried palm tree branch, dried palm tree trunks, dried tree trunks, various textiles, painted coconut, FEMA tarp, plastic bubble wrap, painted wood, plastic hoses, painted hose spigot,
Classifications
Subjects
  • Abstract
Object Number
2022.41A-DD

Artwork Description

María Guabancex is a portrait of a world in powerful motion. Made from materials washed up on shore after Hurricane Maria devastated Puerto Rico in 2017, the sculpture appears to swirl with palm branches, metal cables, and bubble wrap. Its various elements coalesce to form the figure of Santa María, with a shroud made from corrugated metal and a robe fashioned from a blue FEMA tarp.

Daniel Lind-Ramos's dual María embodies the contradictions of its natural and divine inspirations. Given the name Guabancex--the ancient Taíno (Indigenous Caribbean) goddess of storms and chaos--his María is both destroyer and protector. With her impassive face doubling as the dark eye of the hurricane, she represents a force that gives life and takes it away.

Works by this artist (626 items)

Werner Drewes, Central Density, 1973, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1975.116
Central Density
Date1973
oil on canvas
On view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Date1933
oil, pen and ink, and pencil on wood panel
On view
Werner Drewes, Suspended Forms, woodcut, Smithsonian American Art Museum, Gift of the artist, 1977.21.11
Suspended Forms
woodcut
Not on view
Werner Drewes, Summer Bouquet (no. 242), color woodcut, Smithsonian American Art Museum, Gift of the artist, 1968.9.81
Summer Bouquet (no. 242)
color woodcut
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view