Mordecai Manuel Noah

John Wood Dodge, Mordecai Manuel Noah, 1834, watercolor on ivory, Smithsonian American Art Museum, Bequest of Ettie W. Noah Wilson, through John L. Laskey, 1957.11.4
John Wood Dodge, Mordecai Manuel Noah, 1834, watercolor on ivory, sight 3 182 58 in. (7.96.7 cm) rectangle, irregular, Smithsonian American Art Museum, Bequest of Ettie W. Noah Wilson, through John L. Laskey, 1957.11.4
Free to use

Artwork Details

Title
Mordecai Manuel Noah
Date
1834
Location
Not on view
Dimensions
sight 3 182 58 in. (7.96.7 cm) rectangle, irregular
Credit Line
Bequest of Ettie W. Noah Wilson, through John L. Laskey
Mediums
Mediums Description
watercolor on ivory
Classifications
Subjects
  • Portrait male — Noah, Mordecai Manuel — bust
Object Number
1957.11.4

Artwork Description

Mordecai Manuel Noah (1785-1851) was possibly the most influential Jewish figure in the United States during the early nineteenth century. He was a lawyer, journalist, playwright, politician, judge, editor, and surveyor. As a patriot, he supported America’s war with Britain in 1812, and became the United States consul to Tunis. He studied law in South Carolina, and passed the New York bar in 1823. He was also an ardent Zionist and in 1825 purchased Grand Island in the Niagara River to create Ararat, a “Jewish Homeland.” Noah later pursued a career in journalism that included editing the National Advocate, founded by the Tammany faction of the Democratic Party. After he renounced their corrupt practices, he founded the New York Enquirer, and later the New York Evening Star. Noah developed a serious interest in the theater and wrote numerous plays, and was a founder of New York University.

Works by this artist (4 items)

Christine Sun Kim, One Week of Lullabies for Roux, 2018, seven tracks, sound, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.79.1, © 2018 Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles
One Week of Lullabies for Roux
Date2018
seven tracks, sound
Not on view
Christine Sun Kim, Close Readings, 2015, four-channel video; 25:53 minutes, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2020.79.2, © 2015 Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles
Close Readings
Date2015
four-channel video; 25:53 minutes
Not on view
Christine Sun Kim, The Star-Spangled Banner (Third Verse), 2020, charcoal on paper, Smithsonian American Art Museum, Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment, 2021.31.1, © 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles
The Star-Spangled Banner (Third Verse)
Date2020
charcoal on paper
Not on view
Christine Sun Kim, America the Beautiful, 2020, charcoal on paper, Smithsonian American Art Museum, Museum purchase and purchase through the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center and through the Julia D. Strong Endowment, 2021.31.2, © 2020, Christine Sun Kim. Courtesy of the artist and François Ghebaly, Los Angeles
America the Beautiful
Date2020
charcoal on paper
Not on view

More Artworks from the Collection

Liz Magic Laser, Simone Leigh, Breakdown, 2011, single-channel digital video, color, sound; 09:00 minutes, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2019.33.2, © 2011, Simone Leigh & Liz Magic Laser
Breakdown
Date2011
single-channel digital video, color, sound; 09:00 minutes
Not on view
Chitra Ganesh, Girl, Simone Leigh, My Dreams, My Works Must Wait Till After Hell, 2011, single-channel digital video, color, sound; 07:14 minutes, Smithsonian American Art Museum, Museum purchase through the Samuel and Blanche Koffler Acquisition Fund, 2019.33.1, © Girl (Simone Leigh and Chitra Ganesh); Courtesy of the artists and Luhring Augustine, New York
My Dreams, My Works Must Wait Till After Hell
Date2011
single-channel digital video, color, sound; 07:14 minutes
Not on view
El Bodhisattva
Date2002
single-channel video, color, silent; 05:55 minutes, looped
Not on view
Home
Date2012
single-channel video, color, sound; 09:16 minutes
Not on view