Mourning Pin for ER

Unidentified, Mourning Pin for ER, late 18th - early 19th century, watercolor on ivory, Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.83
Unidentified, Mourning Pin for ER, late 18th - early 19th century, watercolor on ivory, image (oval): 1 121 18 in. (3.82.9 cm), Smithsonian American Art Museum, Bequest of Mary Elizabeth Spencer, 1999.27.83
Free to use

Artwork Details

Title
Mourning Pin for ER
Artist
Unidentified
Date
late 18th - early 19th century
Location
Not on view
Dimensions
image (oval): 1 121 18 in. (3.82.9 cm)
Credit Line
Bequest of Mary Elizabeth Spencer
Mediums
Mediums Description
watercolor on ivory
Classifications
Subjects
  • Landscape — tree
  • Animal — sheep
  • State of being — emotion — sorrow
  • Figure female — full length
  • Recreation — leisure — letter reading and writing
  • Primitive — mourning
Object Number
1999.27.83

Artwork Description

Miniature paintings memorializing a friend or family member grew popular in the nineteenth century when the death of Prince Albert sent Queen Victoria into deep mourning. A name and death date on a locket, pin, or ring marked the passing of a loved one, and artists sometimes mixed a lock of the deceased person’s hair in with the pigment. The paintings often showed the bereaved person next to a tomb or cinerary urn, as in Mourning Locket for A. R. and Mourning Ring, and sometimes included symbols of grieving such as a dove or weeping willow.

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Date1797
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Raphaelle Peale, George Fisher, ca. 1795, watercolor on ivory, Smithsonian American Art Museum, Gift of Mrs. Henry L. Milmore, 1950.4.24
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Not on view
Edward Greene Malbone, Mrs. John Corlis (Susannah Condé Russell), 1795, watercolor on ivory, Smithsonian American Art Museum, Museum purchase, 1980.29.2
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Unidentified, Portrait of a Gentleman, ca. 1790, watercolor on ivory, Smithsonian American Art Museum, Museum purchase, 1975.5
Portrait of a Gentleman
Artist
Unidentified
Dateca. 1790
watercolor on ivory
Not on view