National Champion Elliottia, Georgia, 2002

Barbara Bosworth, National Champion Elliottia, Georgia, 2002, 2002, gelatin silver print, Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.9, © 2002, Barbara Bosworth
Barbara Bosworth, National Champion Elliottia, Georgia, 2002, 2002, gelatin silver print, 9 5823 in. (24.458.4 cm), Smithsonian American Art Museum, Gift of Haluk and Elisa Soykan, 2008.2.9, © 2002, Barbara Bosworth

Artwork Details

Title
National Champion Elliottia, Georgia, 2002
Date
2002
Location
Not on view
Dimensions
9 5823 in. (24.458.4 cm)
Copyright
© 2002, Barbara Bosworth
Credit Line
Gift of Haluk and Elisa Soykan
Mediums Description
gelatin silver print
Classifications
Subjects
  • Landscape — Georgia
Object Number
2008.2.9

Artwork Description

The National Register of Big Trees records the size and location of the largest individuals of over seven hundred species found in the United States. Although Bosworth has tracked more than one hundred of these trees across the continent, she is as concerned with capturing the feeling of the surrounding landscape as describing the particular details of each tree. We are shown only the base of the coast redwood's trunk; a figure nearly hidden in the undergrowth offers the only indication of its height, which reaches over three hundred feet above the forest floor. Redwoods and giant sequoias have long been highlights for summer tourists, but the champion western redcedar is perhaps a more telling example of the fate of many of these natural landmarks. It was discovered within a stand of old-growth forest that was being clear-cut, and now remains as a lone sentinel guarding a deserted landscape. While some of these champions are protected within national or state parks and forests, Bosworth has been more frequently drawn to the commonplace locations where the majority are found: backyards, rural crossroads, parking lots, and housing developments.

Earth and Sky: Photographs by Barbara Bosworth exhibition label

Works by this artist (2 items)

Myra Tso Kaye, Bean Pot with Ear of Corn Appliqué, 1988, fired clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Mrs. Gibson Fahnestock, 1997.124.158
Bean Pot with Ear of Corn Appliqué
Date1988
fired clay with piñon pitch
On view
Myra Tso Kaye, Ram Pot, 1992, fired clay with piñon pitch, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Mrs. Gibson Fahnestock, 1997.124.157
Ram Pot
Date1992
fired clay with piñon pitch
Not on view

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Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
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Date2000
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Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
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Keith Sharp, Times, from the series Same While Different, 2000, diptych with toned gelatin silver prints, Smithsonian American Art Museum, Gift of the artist, 2002.77.3A-B, © 2000 Keith Sharp
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Date2000
diptych with toned gelatin silver prints
Not on view