Paul Hots” Watkins, Stable Manager for Many Years of Diteman’s Stable, 1612 Aliceanna Street, East Baltimore, Maryland, December 1979, from the series Southern Roads/​City Pavements

Roland L. Freeman, Paul "Hots" Watkins, Stable Manager for Many Years of Diteman's Stable, 1612 Aliceanna Street, East Baltimore, Maryland, December 1979, from the series Southern Roads/City Pavements, 1979, printed 1982, gelatin silver print, Smithsonian American Art Museum, Gift of George H. Dalsheimer, 1991.80.2, © 1979, Roland L. Freeman
Roland L. Freeman, Paul "Hots" Watkins, Stable Manager for Many Years of Diteman's Stable, 1612 Aliceanna Street, East Baltimore, Maryland, December 1979, from the series Southern Roads/City Pavements, 1979, printed 1982, gelatin silver print, sheet: 1411 in. (35.428.0 cm.), Smithsonian American Art Museum, Gift of George H. Dalsheimer, 1991.80.2, © 1979, Roland L. Freeman

Artwork Details

Title
Paul Hots” Watkins, Stable Manager for Many Years of Diteman’s Stable, 1612 Aliceanna Street, East Baltimore, Maryland, December 1979, from the series Southern Roads/​City Pavements
Date
1979, printed 1982
Location
Not on view
Dimensions
sheet: 1411 in. (35.428.0 cm.)
Copyright
© 1979, Roland L. Freeman
Credit Line
Gift of George H. Dalsheimer
Mediums Description
gelatin silver print
Classifications
Subjects
  • Occupation — farm — groom
  • Cityscape — street — Aliceanna Street
  • Portrait male — Watkins, Paul Hots”
  • Cityscape — Maryland — Baltimore
  • Recreation — leisure — smoking
  • African American
Object Number
1991.80.2

Artwork Description

The Baltimore horse-cart vendors known as “arabbers” hold a special place in Freeman’s early development – so much that he dedicated an entire project to an exploration of their lives. Paul “Hots” Watkins is an intimate photographic portrayal of one member of this hard-working and now virtually extinct group in Baltimore. A descendent of arabbers himself, Freeman’s closeness to the subject was both difficult and rewarding – he wanted his documentation to reveal the arabbers’ rich social history as well as their importance in the African American story.


African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012

Works by this artist (16 items)

Robert Riggs, The Boy-Bear's Cub-Brothers, Growing Too Big, Were Sent, Wearing Sacred Wampum Back to Their Natural Home, from the series Legends of the Lenape Indians, ca. 1966, graphite and scratchwork on prepared paperboard, Smithsonian American Art Museum, Gift of Philip Desind, 1986.91.4
The Boy-Bear’s Cub-Brothers, Growing Too Big, Were Sent,…
Dateca. 1966
graphite and scratchwork on prepared paperboard
Not on view
Robert Riggs, The Spirit of a Bear, Being Released from Its Body, Carries a Plea for Good Hunting to the Manitu Above, from the series Legends of the Lenape Indians, ca. 1966, graphite and scratchwork on prepared paperboard, Smithsonian American Art Museum, Gift of Philip Desind, 1986.91.12
The Spirit of a Bear, Being Released from Its Body, Carries…
Dateca. 1966
graphite and scratchwork on prepared paperboard
Not on view
Robert Riggs, Twelve Men, Searching for a Sacrificial Bear, Were Led by the Boy-Bear, Who Always Knew Where a Bear Was Sleeping, Calling Out "There Is a Bear There," and Again, "There.", from the series Legends of the Lenape Indians, ca. 1966, graphite and scratchwork on prepared paperboard, Smithsonian American Art Museum, Gift of Philip Desind, 1986.91.10
Twelve Men, Searching for a Sacrificial Bear, Were Led by…
Dateca. 1966
graphite and scratchwork on prepared paperboard
Not on view
Robert Riggs, One-punch Knockout, ca. 1948, lithograph on paper, Smithsonian American Art Museum, Gift of Frank McClure, 1973.194.3
One-punch Knockout
Dateca. 1948
lithograph on paper
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Les Quais de la Seine a Paris
Date1917
hand-colored etching on postcard
Not on view