John La Farge, Peacocks and Peonies I, 1882, stained glass window, Smithsonian American Art Museum, Gift of Henry A. La Farge, 1936.12.1
The tail feathers of the peacocks are made of bits of glass in the "broken jewel" technique; each peony blossom is a single piece of glass molded to catch the light differently through the day. La Farge layered his colored glass as a painter would build glazes of colors to achieve the right shade. For the composition, he borrowed from many cultures: the central panels with the bird and flower motif evoke Chinese and Japanese screens; the lower panels emulate Pompeian architecture; and the transoms above recall the tympanum above the door to a Romanesque cathedral.
Exhibition Label, Smithsonian American Art Museum, 2006
This pair of stained-glass windows by John La Farge reflects the Gilded Age's fascination with medieval art and craftsmanship. These windows were commissioned by Frederick Lothrop Ames, a railroad magnate who had them installed in the vast, opulent hall of his Boston home. For this composition, La Farge borrowed from many cultures: the central panels evoke Chinese and Japanese screens; the lower panels emulate Pompeian architecture; and the transoms recall the tympanum above the door of a Romanesque cathedral.
Smithsonian American Art Museum: Commemorative Guide. Nashville, TN: Beckon Books, 2015.
Peacocks and Peonies I
frame: 112 x 51 1/4 x 6 1/2 in. (284.5 x 130.3 x 16.5 cm)
- Credit Line
Smithsonian American Art Museum
Gift of Henry A. La Farge
- Mediums Description
- stained glass window
- Object – flower – peony
- Animal – bird – peacock
- Object Number
- Linked Open Data
- Linked Open Data URI