The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)

Thomas Cole, The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), ca. 1846-1848, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1965.10
Thomas Cole, The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World), ca. 1846-1848, oil on canvas, 1218 in. (30.445.8 cm.), Smithsonian American Art Museum, Museum purchase, 1965.10
Free to use

Artwork Details

Title
The Pilgrim of the Cross at the End of His Journey (study for series, The Cross and the World)
Artist
Date
ca. 1846-1848
Dimensions
1218 in. (30.445.8 cm.)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Highlights
Subjects
  • Religion — angel
  • Allegory — life — old age
  • State of being — phenomenon — vision
  • Figure male — full length
Object Number
1965.10

Artwork Description

Thomas Cole died before he was able to complete his final group of paintings, titled The Cross and the World. In the beginning of the series, two young men each begin a pilgrimage---one to the cross and the other through the world. The route to the cross is mountainous and difficult, while the pathway through the world tempts with a beautiful valley. By the end of their journeys, the pilgrim of the cross discovers the bright light and angels of redemption, but the pilgrim of the world finds only a wasteland of emptiness and fear. Cole used very little color in these paintings to emphasize the vivid contrast between the glorious light of God and the dark confusion of a world without faith.

Works by this artist (1 item)

Denzil Goodpaster, Cane with Man and Pistol, 1991, carved and painted wood and plastic resin, Smithsonian American Art Museum, Gift of Ken and Donna Fadeley in honor of Robert H. Martin, 1991.158.5
Cane with Man and Pistol
Date1991
carved and painted wood and plastic resin
On view

More Artworks from the Collection

Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
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ink on manila envelope
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Carl Piwinski, Martian Worlds, ca. 1992, ink on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.125
Martian Worlds
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ink on paper
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Christoph Voll, William H. Johnson, Heads of Two Children, ca. 1930-1938, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.388
Heads of Two Children
Artist
Dateca. 1930-1938
pen and ink on paper
Not on view
Welmon Sharlhorne, Untitled (Beaked Creature), ca. 1994, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.136
Untitled (Beaked Creature)
Dateca. 1994
ink on manila envelope
Not on view