Unidentified, Portrait of Thomas Blackmore, n.d., watercolor on ivory, Smithsonian American Art Museum, Bequest of Florence S. Berryman, 1992.87.1
It is not always possible to identify the sitter in a miniature portrait, and research is still being done on some of the works in the Museum’s collection. Miniatures became popular in England during the early 1700s, commissioned by wealthy families on the occasions of births, engagements, weddings, and bereavements. These paintings, elaborately set into lockets or brooches, provided the wearer with a sentimental connection to a loved one. The back of the miniature often revealed a lock of the sitter’s hair, symbolizing affection, commitment, or loss.
Portrait of Thomas Blackmore
- On View
- Not on view.
3 1/4 x 2 3/8 x 3/8 in. (8.3 x 6.1 x 1.0 cm)
- Credit Line
Smithsonian American Art Museum
Bequest of Florence S. Berryman
- Mediums Description
- watercolor on ivory
- Portrait male – Blackmore, Thomas – bust
- Object Number
- Linked Open Data
- Linked Open Data URI