Puerto Rican Wedding, East Harlem, from the series Old New York

Camilo José Vergara, Puerto Rican Wedding, East Harlem, from the series Old New York, 1970, inkjet print, Smithsonian American Art Museum, Gift of the artist, 2015.55.4
Camilo José Vergara, Puerto Rican Wedding, East Harlem, from the series Old New York, 1970, inkjet print, image: 11 34 × 17 38 in. (29.8 × 44.1 cm) sheet: 15 34 × 19 58 in. (40.0 × 49.8 cm), Smithsonian American Art Museum, Gift of the artist, 2015.55.4

Artwork Details

Title
Puerto Rican Wedding, East Harlem, from the series Old New York
Date
1970
Location
Not on view
Dimensions
image: 11 34 × 17 38 in. (29.8 × 44.1 cm) sheet: 15 34 × 19 58 in. (40.0 × 49.8 cm)
Credit Line
Gift of the artist
Mediums Description
inkjet print
Classifications
Subjects
  • Figure group
  • Cityscape — New York — New York
  • Architecture — vehicle — automobile
  • Ceremony — wedding
  • Dress — ceremonial — wedding dress
  • Cityscape — New York — Harlem
  • Puerto Rican
  • Architecture Exterior
Object Number
2015.55.4

Works by this artist (20 items)

Malaquias Montoya, Basta Imperalismo, 1970, lithograph, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.50, © 1970, Malaquias Montoya
Basta Imperalismo
Date1970
lithograph
Not on view
Malaquias Montoya, Julio 26 - Cuba Vietnam y Nosotros Venceremos, 1972, offset lithograph on paper, Smithsonian American Art Museum, Gift of the Margaret Terrazas Santos Collection, 2019.52.3, © 1972, Malaquias Montoya
Julio 26 — Cuba Vietnam y Nosotros Venceremos
Date1972
offset lithograph on paper
Not on view
Malaquias Montoya, Stop!! Wells Fargo Bank Loans to Chile, 1979, screenprint on paper, Smithsonian American Art Museum, Gift of Lincoln Cushing/ Docs Populi, 2019.54.1, © 1979, Malaquias Montoya
Stop!! Wells Fargo Bank Loans to Chile
Date1979
screenprint on paper
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

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Bently
Dateca. 1975
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
gelatin silver print
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.7
Untitled
Dateca. 1945-1950
gelatin silver print
Not on view