Que Viva La Paz, from Méchicano 1977 Calendario

José Cervantes, Que Viva La Paz, from Méchicano 1977 Calendario, 1976, screenprint on paper, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.53.11, © 1976, José Cervantes
José Cervantes, Que Viva La Paz, from Méchicano 1977 Calendario, 1976, screenprint on paper, sheet and image: 2228 in. (55.971.1 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2012.53.11, © 1976, José Cervantes

Artwork Details

Title
Que Viva La Paz, from Méchicano 1977 Calendario
Date
1976
Location
Not on view
Dimensions
sheet and image: 2228 in. (55.971.1 cm)
Copyright
© 1976, José Cervantes
Credit Line
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment
Mediums Description
screenprint on paper
Classifications
Object Number
2012.53.11

Works by this artist (162 items)

Mingering Mike, MERCY: "DIG IT" / WELL SHE LOVE'S ME, MINGERING MIKE & HIS FRACTURED SOUL BAND, ca. 1972 - 1975, ink and marker on paper, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.85.2, © Mingering Mike
MERCY: DIG IT” / WELL SHE LOVE’S ME, MINGERING MIKE & HIS…
Dateca. 1972 - 1975
ink and marker on paper
Not on view
Mingering Mike, Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE, ca. 1972, ink, marker, crayon, and paint on paperboard, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.110, © Mingering Mike
Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE
Dateca. 1972
ink, marker, crayon, and paint on paperboard
Not on view

Exhibitions

Media - 2011.12 - SAAM-2011.12_1 - 77591
Our America: The Latino Presence in American Art
October 25, 2013March 2, 2014
Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge.

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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
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Nathan Oliveira, Site with Blue and White, 1978, monotype, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.14
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