Random Elements

Harold Tovish, Random Elements, 1979, wood/cut, assembled and glued on integral base, 128 349 14 in. (30.522.223.5 cm.), Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.81

Artwork Details

Title
Random Elements
Date
1979
Dimensions
128 349 14 in. (30.522.223.5 cm.)
Credit Line
Gift of the Sara Roby Foundation
Mediums
Mediums Description
wood/cut, assembled and glued on integral base
Classifications
Subjects
  • Figure male — head
Object Number
1986.6.81

Artwork Description

Random Elements is one of the final pieces in Harold Tovish's Transformations series. Tovish started with a carefully modeled self-portrait, Unit of Measure, which he then used to create fourteen variations. Although each piece looks very different from the original, Tovish maintains the same measure of volume. Random Elements, a construction of stacked wooden blocks, appears almost abstract, making it difficult for us to recognize it as the artist's self-portrait.

Works by this artist (6 items)

Springtime
Date1937
gouache on paper
Not on view
Joseph Vavak, Chicago, 1939, oil on canvas, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.91
Chicago
Date1939
oil on canvas
Not on view
Joseph Vavak, Realization, 1938, oil on canvas, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.93
Realization
Date1938
oil on canvas
Not on view
Joseph Vavak, Women of Flint, 1937, oil on canvas, Smithsonian American Art Museum, Transfer from General Services Administration, 1971.447.92
Women of Flint
Date1937
oil on canvas
Not on view

More Artworks from the Collection

Summer Sun
Date1964
gouache on paper
Not on view
Jacob Lawrence, Community (study for mural, Jamaica, NY), 1986, gouache on paper, Smithsonian American Art Museum, Transfer from the General Services Administration, Art-in-Architecture Program, 1990.36, © 1986, Jacob Lawrence
Community (study for mural, Jamaica, NY)
Date1986
gouache on paper
Not on view
Hans Moller, "No government ought to be without censors; and where the press is free, no one ever will. If virtuous, it need not fear the fair operation of attack and defense. Nature has given to man no other means of sifting out the truth, either in religion, law, or politics."--Thomas Jefferson, 1792. From the series Great Ideas of Western Man., 1951, gouache on paper mounted on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.218
No government ought to be without censors; and where the…
Date1951
gouache on paper mounted on paperboard
Not on view
William de Leftwich Dodge, Italy--The Mediterranean, 1932, opaque watercolor on paper, Smithsonian American Art Museum, Gift of Sara Dodge Kimbrough (Mrs. Hunter S. Kimbrough), 1973.30
Italy – The Mediterranean
Date1932
opaque watercolor on paper
Not on view