Reach Out #3

Yuriko Yamaguchi, Reach Out #3, 1989, natural, stained and painted wood, Smithsonian American Art Museum, Gift of Anthony T. Podesta, 1998.152A-C
Yuriko Yamaguchi, Reach Out #3, 1989, natural, stained and painted wood, overall: 3472 123 in. (86.4184.27.6 cm.), Smithsonian American Art Museum, Gift of Anthony T. Podesta, 1998.152A-C

Artwork Details

Title
Reach Out #3
Date
1989
Dimensions
overall: 3472 123 in. (86.4184.27.6 cm.)
Credit Line
Gift of Anthony T. Podesta
Mediums
Mediums Description
natural, stained and painted wood
Classifications
Object Number
1998.152A-C

Artwork Description

Reach Out #3 is both an abstract sculpture and a portrayal of two people talking. In the 1980s, Washington, D.C., artist Yuriko Yamaguchi created a number of hanging wall structures that attempted to "bridge [a] distance or void" by "unifying two things" with wood. She was inspired to create this series by AT&T's advertising slogan urging customers to "reach out and touch someone." Here, she chose to link the two figures with a fragile twig that emphasizes the fleeting nature of their conversation. Yamaguchi also wanted to explore connections between the man-made and the natural, so she linked two milled and treated pieces of lumber with a stick that she found on a long walk in the woods. (Yuriko Yamaguchi, interview, December 20, 2005)

Works by this artist (15 items)

William H. Rau, Full Moon, n.d., albumen silver print mounted to stereographic card, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.245
Full Moon
Daten.d.
albumen silver print mounted to stereographic card
Not on view
William H. Rau, Admiral Dewey, Hero of Manila, after 1898, albumen silver prints mounted to stereographic card, Smithsonian American Art Museum, Museum purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.242
Admiral Dewey, Hero of Manila
Dateafter 1898
albumen silver prints mounted to stereographic card
Not on view
William H. Rau, Sampson's Fleet. A Gunner of the "Iowa", 1898, albumen silver print mounted to stereographic card, Smithsonian American Art Museum, Museum Purchase from the Charles Isaacs Collection made possible in part by the Luisita L. and Franz H. Denghausen Endowment, 1994.91.238
Sampson’s Fleet. A Gunner of the Iowa”
Date1898
albumen silver print mounted to stereographic card
Not on view

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      An interview with the artist Yuriko Yamaguchi. Yuriko Yamaguchi was born in Osaka, Japan, after the Second World War. When she moved to the United States at the age of twenty-three, she barely spoke English and turned to art to express herself, exploring her identity as a "tiny being in a vast universe." She links elements with wood or wires and hangs her works on walls and ceilings to represent her spiritual connections with the world around her. She uses only delicate materials, such as thin wires, resin, or twigs in order to evoke the simplicity of Japanese poetry. (Yamaguchi, "Rope as the Symbol Expressing the Integration of Physical Existence and Metaphysical Being," MFA thesis, University of Maryland, 1979)

      More Artworks from the Collection

      David Haxton, Vertical and Receding Lines, 1974, 16mm film, black and white, silent; 05:30 minutes, Smithsonian American Art Museum, Gift of the artist, 2011.15.2, © 1974, David Haxton
      Vertical and Receding Lines
      Date1974
      16mm film, black and white, silent; 05:30 minutes
      Not on view
      Hans Breder, Quanta, 1967, single-channel video, color, silent; 03:46 minutes, Smithsonian American Art Museum, Gift of the artist, 2013.50.4, © 1967, Hans Breder
      Quanta
      Date1967
      single-channel video, color, silent; 03:46 minutes
      Not on view
      Eureka
      Date1974
      16 mm Plus-X print, black and white, silent; 30:00 minutes
      Not on view
      Carolee Schneemann, Viet Flakes, 1965, 16mm film transferred to video, toned black & white, sound; 07:00 minutes, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.9, © 1965 Carolee Schneemann Foundation. Courtesy Electronic Arts Intermix, NY
      Viet Flakes
      Date1965
      16mm film transferred to video, toned black & white, sound; 07:00 minutes
      Not on view