Reservation Scene

Louise Nez, Reservation Scene, 1992, commercial yarn, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.189
Louise Nez, Reservation Scene, 1992, commercial yarn, 41 1841 34 in. (104.6106.1 cm), Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson, 1997.124.189

Artwork Details

Title
Reservation Scene
Artist
Date
1992
Location
Not on view
Dimensions
41 1841 34 in. (104.6106.1 cm)
Credit Line
Gift of Chuck and Jan Rosenak and museum purchase made possible by Ralph Cross Johnson
Mediums
Mediums Description
commercial yarn
Classifications
Subjects
  • Occupation — craft — textile worker
  • Architecture — vehicle — wagon
  • Animal — cattle
  • Indian — Navajo
  • Animal — horse
  • Animal — horse
  • Animal — sheep
  • Occupation — domestic — cooking
  • Landscape
  • Figure group
Object Number
1997.124.189

Artwork Description

Louise Nez, a renowned Diné (Navajo) matriarch, weaves scenes inspired by her own life and culture. Here, a trio of buttes in the distance places Reservation Scene in the Southwest. The community hums with activity. A hogan, the octagonal structure at right, represents the traditional home and ceremonial space of Diné families. A covered wagon drawn by two horses seems to have just arrived. Women below spin and card wool and weave geometric rugs at the upright loom, while livestock mill about across the scene.
Along with geometric patterned textiles, pictorials have been a creative tradition for generations of Navajo weavers. The longstanding Navajo rug trade enticed many cultural tourists throughout the twentieth century and led to the development of a new and growing market. Diné women continue to compel cultural respect and economic compensation for their work.

Works by this artist (731 items)

Joseph Cornell, Untitled (Juan Gris drawing), late 1960s, collage on masonite, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 2002.58.20
Untitled (Juan Gris drawing)
Datelate 1960s
collage on masonite
Not on view
Joseph Cornell, Untitled (Rorschach drawing), n.d., drawing, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.408
Untitled (Rorschach drawing)
Daten.d.
drawing
Not on view
Joseph Cornell, Untitled (white cockatoo and other birds), 1969-1971, collage, Smithsonian American Art Museum, Gift of The Joseph and Robert Cornell Memorial Foundation, 1991.155.297
Untitled (white cockatoo and other birds)
Date1969-1971
collage
Not on view

Exhibitions

Media - 2019.15 - SAAM-2019.15_1 - 137377
Subversive, Skilled, Sublime: Fiber Art by Women
May 31, 2024January 5, 2025
The artists in Subversive, Skilled, Sublime: Fiber Art by Women mastered and subverted the everyday materials of cotton, felt, and wool to create deeply personal artworks.

More Artworks from the Collection

Joseph Cornell, Goop Joe's Useful Knowledge. Speciman Sheet., ca. 1932-1934, mixed media: photomechanical reproduction, type-set, type, and ink on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. John A. Benton, 1985.13.5
Goop Joe’s Useful Knowledge. Speciman Sheet.
Dateca. 1932-1934
mixed media: photomechanical reproduction, type-set, type, and ink on paper
Not on view
Joseph Cornell, Goop Joe's Weekly Poultry Page., ca. 1932-1934, mixed media: ink, type, photomechanical reproductions, type-set, and engravings on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. John A. Benton, 1985.13.7
Goop Joe’s Weekly Poultry Page.
Dateca. 1932-1934
mixed media: ink, type, photomechanical reproductions, type-set, and engravings on paper
Not on view
Joseph Cornell, Goop Joe's Weekly Poultry Page #7., ca. 1932-1934, mixed media: ink, type, type-set, photomechanical reproductions, woodcut, and engraving on paper, Smithsonian American Art Museum, Gift of Mr. and Mrs. John A. Benton, 1985.13.12
Goop Joe’s Weekly Poultry Page #7.
Dateca. 1932-1934
mixed media: ink, type, type-set, photomechanical reproductions, woodcut, and engraving on paper
Not on view
Lee Godie, Three Self-Portraits with Photo and Cameo, 1970s, pen and watercolor on canvas with mixed media, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.21
Three Self-Portraits with Photo and Cameo
Date1970s
pen and watercolor on canvas with mixed media
Not on view