Ribbon-cutting for section eight houses on Duncan Street, renovated through HUD. Residents pay according to their ability from $25 to over $200 per month. Butchers Hill.

Joan Clark Netherwood, Ribbon-cutting for section eight houses on Duncan Street, renovated through HUD. Residents pay according to their ability from $25 to over $200 per month. Butchers Hill., 1979, gelatin silver print, Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.21
Joan Clark Netherwood, Ribbon-cutting for section eight houses on Duncan Street, renovated through HUD. Residents pay according to their ability from $25 to over $200 per month. Butchers Hill., 1979, gelatin silver print, sheet: 14 × 11 in. (35.6 × 27.9 cm) image: 9 78 × 9 78 in. (25.1 × 25.1 cm), Smithsonian American Art Museum, Gift of the East Baltimore Documentary Photography Project, 2020.68.21

Artwork Details

Title
Ribbon-cutting for section eight houses on Duncan Street, renovated through HUD. Residents pay according to their ability from $25 to over $200 per month. Butchers Hill.
Date
1979
Location
Not on view
Dimensions
sheet: 14 × 11 in. (35.6 × 27.9 cm) image: 9 78 × 9 78 in. (25.1 × 25.1 cm)
Credit Line
Gift of the East Baltimore Documentary Photography Project
Mediums Description
gelatin silver print
Classifications
Subjects
  • Architecture Exterior — domestic — house
  • Cityscape — Maryland — Baltimore
  • Ceremony
  • Cityscape — street
  • Figure group
Object Number
2020.68.21

Works by this artist (1 item)

A. Kinder or Rinder, Drawing on Door, 1887, oil on canvas, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney and Natalie Clifford Barney in memory of their mother, Alice Pike Barney, 1952.13.82
Drawing on Door
Date1887
oil on canvas
On view

Exhibitions

Media - 1983.63.998 - SAAM-1983.63.998_1 - 55235
Welcome Home: A Portrait of East Baltimore, 1975 – 1980
July 16, 2021January 23, 2022
Welcome Home: A Portrait of East Baltimore, 1975-1980 captures a cross-section of East Baltimore residents and businesses in the 1970s, documenting the community’s history and diversity.

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Bently
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Lure of the Sea
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Eugene Von Bruenchenhein, Untitled, ca. 1945-1950, gelatin silver print, Smithsonian American Art Museum, Gift of Lewis and Jean Greenblatt, 2002.86.9
Untitled
Dateca. 1945-1950
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