Santa Chingada: The Perfect Little Woman

Kukuli Velarde, Santa Chingada: The Perfect Little Woman, 1999-2000, ceramic and mixed media, Smithsonian American Art Museum, Gift from the collection of Clemmer and David Montague, 2021.61.5
Kukuli Velarde, Santa Chingada: The Perfect Little Woman, 1999-2000, ceramic and mixed media, 25 in. × 18 in. × 11 12 in. (63.5 × 45.7 × 29.2 cm), Smithsonian American Art Museum, Gift from the collection of Clemmer and David Montague, 2021.61.5

Artwork Details

Title
Santa Chingada: The Perfect Little Woman
Date
1999-2000
Dimensions
25 in. × 18 in. × 11 12 in. (63.5 × 45.7 × 29.2 cm)
Credit Line
Gift from the collection of Clemmer and David Montague
Mediums
Mediums Description
ceramic and mixed media
Classifications
Subjects
  • Figure female
Object Number
2021.61.5

Artwork Description

Kukuli Velarde portrays her inherited memories and emotions. Her series of squatting ceramic figures, called Isichapuitu, were inspired by a Peruvian myth about a priest who used vessels called Manchaypuitu (male) and Isichapuitu (female) to summon spirits from the past. This Isichapuitu embodies a “Perfect Little Woman,” after the Virgin Mary of Sorrows, a mournful figure with seven daggers piercing her heart. This woman has no power over her own body: she is pregnant but wears a chastity belt, and she wears a mask of an idealized white woman. Velarde crafts a charged moment, as if the woman has woken up and realized her confinement. She removes the mask to show herself as a fierce Indigenous woman. 


Velarde wrote the text around the sculpture’s edge:  I open my arms to you, saying “I am yours.” Nail your thorns on me. I will be the one who heals your wounds and relieves you from your sorrows. I do not ask for anything in return. If something, maybe a little of your love . . .  If something, maybe just to know I am your savior, the sacrificed mother of your children . . .  Any offense you inflict on me is welcome as my token . . . For your veneration . . .


This Present Moment: Crafting a Better World, 2022

Works by this artist (1 item)

Kukuli Velarde, Santa Chingada: The Perfect Little Woman, 1999-2000, ceramic and mixed media, Smithsonian American Art Museum, Gift from the collection of Clemmer and David Montague, 2021.61.5
Santa Chingada: The Perfect Little Woman
Date1999-2000
ceramic and mixed media
On view

Exhibitions

Quilt featuring the portrait of a woman
This Present Moment: Crafting a Better World
May 13, 2022April 2, 2023
This Present Moment: Crafting a Better World showcases the dynamic landscape of American craft today.

More Artworks from the Collection

Roger Zellner, Plate, ca. 1975, red earthenware, slip, and glaze, Smithsonian American Art Museum, Museum purchase, 1978.47.2
Plate
Dateca. 1975
red earthenware, slip, and glaze
Not on view
Otto Natzler, Footed Vase, 1981, earthenware with green, olive and blue crystalline glaze, Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.13
Footed Vase
Date1981
earthenware with green, olive and blue crystalline glaze
Not on view
Roger Zellner, Plate, ca. 1975, red earthenware, slip, and glaze, Smithsonian American Art Museum, Museum purchase, 1978.47.3
Plate
Dateca. 1975
red earthenware, slip, and glaze
Not on view
Leif Wicklund, Sexwick Pottery, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.3
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view