Scene on the Hudson (Rip Van Winkle)

James Hamilton, Scene on the Hudson (Rip Van Winkle), 1845, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1968.138
James Hamilton, Scene on the Hudson (Rip Van Winkle), 1845, oil on canvas, 3857 18 in. (96.6145.1 cm), Smithsonian American Art Museum, Museum purchase, 1968.138
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Artwork Details

Title
Scene on the Hudson (Rip Van Winkle)
Date
1845
Location
Not on view
Dimensions
3857 18 in. (96.6145.1 cm)
Credit Line
Museum purchase
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Animal — dog
  • Landscape — forest
  • Landscape — New York
  • Figure male — full length
  • Landscape — river — Hudson River
  • Literature — Irving — Rip Van Winkle
Object Number
1968.138

Artwork Description

Hamilton's painting combines several scenes from Washington Irving's short story. The hazy river valley beyond the trees evokes the Catskills, where Rip Van Winkle looked out over the Hudson River "moving on its silent but majestic course." Beneath the cavernous rock, several men enjoy a game of ninepins while Rip drinks the brew that will make him sleep for twenty years and awake to a different world. Irving wrote his stories for sophisticated urban Americans, whose fast-moving culture, fed by the nation’s industrialization, was displacing the rural society of the old Dutch Knickerbockers of the Hudson Valley.

Exhibition Label, Smithsonian American Art Museum, 2006

Works by this artist (27 items)

Violet Oakley, Scale Model of the Dante Window, n.d., oil on canvas, Smithsonian American Art Museum, Gift of the Violet Oakley Memorial Foundation, 1983.39.24
Scale Model of the Dante Window
Daten.d.
oil on canvas
Not on view
Violet Oakley, Dante Window (study for Paradiso: Virgin Mary), ca. 1912, pencil on paper, Smithsonian American Art Museum, Gift of the Violet Oakley Memorial Foundation, 1983.39.19
Dante Window (study for Paradiso: Virgin Mary)
Dateca. 1912
pencil on paper
Not on view
Violet Oakley, Dante Window (study for Purgatorio: head of a woman, profile), ca. 1912, black chalk on tracing paper, Smithsonian American Art Museum, Gift of the Violet Oakley Memorial Foundation, 1983.39.5
Dante Window (study for Purgatorio: head of a woman,…
Dateca. 1912
black chalk on tracing paper
Not on view
Violet Oakley, Dante Window (study for Purgatorio, Medallion 8, Canto 30: Head of one of the figures of Virtue), ca. 1912, black chalk on tracing paper, Smithsonian American Art Museum, Gift of the Violet Oakley Memorial Foundation, 1983.39.7
Dante Window (study for Purgatorio, Medallion 8, Canto 30:…
Dateca. 1912
black chalk on tracing paper
Not on view

More Artworks from the Collection

Welmon Sharlhorne, Untitled (Building with Recessed Entrance and Black Foreground), ca. 1992, ink on manila envelope, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.135
Untitled (Building with Recessed Entrance and Black…
Dateca. 1992
ink on manila envelope
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Andrea Way, Bones, 1987, ink on paper, Smithsonian American Art Museum, Gift of Tom and Judy Brody, 2009.38.3, © 1987, Andrea Way
Bones
Date1987
ink on paper
Not on view
Carl Piwinski, Martian Worlds, ca. 1992, ink on paper, Smithsonian American Art Museum, Gift of Chuck and Jan Rosenak and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 1997.124.125
Martian Worlds
Dateca. 1992
ink on paper
Not on view
Christoph Voll, William H. Johnson, Heads of Two Children, ca. 1930-1938, pen and ink on paper, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.388
Heads of Two Children
Artist
Dateca. 1930-1938
pen and ink on paper
Not on view