Sculpture Group Symbolizing World’s Communication in the Atomic Age

Harry Bertoia, Sculpture Group Symbolizing World's Communication in the Atomic Age, 1959, brazed and welded brass and bronze, Smithsonian American Art Museum, Gift of the Zenith Corporation, 1979.107A-D
Harry Bertoia, Sculpture Group Symbolizing World's Communication in the Atomic Age, 1959, brazed and welded brass and bronze, 142 14231 1481 in. (361.4587.4205.8 cm), Smithsonian American Art Museum, Gift of the Zenith Corporation, 1979.107A-D

Artwork Details

Title
Sculpture Group Symbolizing World’s Communication in the Atomic Age
Date
1959
Location
Not on view
Dimensions
142 14231 1481 in. (361.4587.4205.8 cm)
Credit Line
Gift of the Zenith Corporation
Mediums
Mediums Description
brazed and welded brass and bronze
Classifications
Subjects
  • Abstract
  • Allegory — arts and sciences — technology
  • Allegory — element — energy
  • Allegory — life — Atomic Age
Object Number
1979.107A-D

Artwork Description

Harry Bertoia's sculptural installation reflects the optimism of the 1950s, when the economy boomed and broadcast television was transforming American culture. The largest cluster of the sculpture symbolizes the world transmitting light to the smaller forms that represent sight, sound, and electronic control, each of which also emits luminous impulses. Bertoia explained that "we live in a time dominated by...invisible forces....these [are] elements of the atomic and electronic age that I am trying to give sculptural shape and form." Bertoia's vision of global communications is a reality today, as satellites constantly receive and transmit signals for broadcast, cell phone, and computer communications.

Works by this artist (6 items)

Donald Sultan, Black Roses, Nov., 1989, from the suite Black Roses, Dec., 1989, 1989, published 1990, aquatint on paper, Smithsonian American Art Museum, Museum purchase, 1992.25.1, © 1989, Donald Sultan
Black Roses, Nov., 1989, from the suite Black Roses, Dec.,…
Date1989, published 1990
aquatint on paper
Not on view
Donald Sultan, Two Buttons, 1996, three color lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Bud and Fran Moreland Johns), 2020.20.268
Two Buttons
Date1996
three color lithograph
Not on view
Donald Sultan, Martini, 1996, lithograph, Smithsonian American Art Museum, Gift from the Trustees of the Corcoran Gallery of Art (Gift of Bud and Fran Moreland Johns), 2020.20.267
Martini
Date1996
lithograph
Not on view
Donald Sultan, Four Reds Sept 30 2002, 2002, 14-color screenprint on paper, Smithsonian American Art Museum, Gift of the Smithsonian Resident Associate Program, 2003.7, © Donald Sultan
Four Reds Sept 30 2002
Date2002
14-color screenprint on paper
Not on view

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Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
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Date1976
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Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
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