Self-Portrait without Skin

Kim Eric Lilot, Self-Portrait without Skin, 1997, 14k gold, platinum, and rubellite tourmaline cabochon, Smithsonian American Art Museum, Gift of Ann D. Cousins, 1998.80
Kim Eric Lilot, Self-Portrait without Skin, 1997, 14k gold, platinum, and rubellite tourmaline cabochon, 781 121 in. (2.23.82.5 cm.), Smithsonian American Art Museum, Gift of Ann D. Cousins, 1998.80

Artwork Details

Title
Self-Portrait without Skin
Date
1997
Location
Not on view
Dimensions
781 121 in. (2.23.82.5 cm.)
Credit Line
Gift of Ann D. Cousins
Mediums Description
14k gold, platinum, and rubellite tourmaline cabochon
Classifications
Subjects
  • Figure — fragment — hand
  • Figure — fragment — skull
  • Portrait male — Lilot, Kim Eric — self-portrait
Object Number
1998.80

Artwork Description

While many people are afraid of death, Kim Eric Lilot sees it as an inspiration and a necessary part of the life cycle. He turns the fear of death into a celebration of life and diversity. In Self-Portrait without Skin, Lilot’s laughing skull “looks” at life through rose- colored glasses.

Works by this artist (162 items)

Mingering Mike, MERCY: "DIG IT" / WELL SHE LOVE'S ME, MINGERING MIKE & HIS FRACTURED SOUL BAND, ca. 1972 - 1975, ink and marker on paper, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.85.2, © Mingering Mike
MERCY: DIG IT” / WELL SHE LOVE’S ME, MINGERING MIKE & HIS…
Dateca. 1972 - 1975
ink and marker on paper
Not on view
Mingering Mike, Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE, ca. 1972, ink, marker, crayon, and paint on paperboard, Smithsonian American Art Museum, Gift of Mike Wilkins and Sheila Duignan and museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.8.110, © Mingering Mike
Gold Pot Records: MINGERING MIKE: SWEET WOMAN OF MINE
Dateca. 1972
ink, marker, crayon, and paint on paperboard
Not on view

More Artworks from the Collection

Claire Falkenstein, City is Man, 1941-1952, linocut, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.14, ©1997, The Falkenstein Foundation
City is Man
Date1941-1952
linocut
Not on view
Claire Falkenstein, Untitled, 1976, embossed paper, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.18, ©1997, The Falkenstein Foundation
Untitled
Date1976
embossed paper
Not on view
Claire Falkenstein, Mandala, 1977, lithograph, Smithsonian American Art Museum, Gift of The Falkenstein Foundation, 2019.27.19, ©1997, The Falkenstein Foundation
Mandala
Date1977
lithograph
Not on view
Nathan Oliveira, Site with Blue and White, 1978, monotype, Smithsonian American Art Museum, Bequest of Moses Lasky, 2004.32.14
Site with Blue and White
Date1978
monotype
Not on view