Somewhere in America

Robert Brackman, Somewhere in America, 1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.75
Robert Brackman, Somewhere in America, 1934, oil on canvas, 30 1825 18 in. (76.563.9 cm.), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.75

Artwork Details

Title
Somewhere in America
Date
1934
Dimensions
30 1825 18 in. (76.563.9 cm.)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • African American
  • Portrait female — unidentified — child
  • Figure female — child — waist length
  • New Deal — Public Works of Art Project — New York City
  • Object — fruit — banana
  • Object — fruit — apple
  • Object — toy — animal
Object Number
1964.1.75

Artwork Description

America looks out at the world from the eyes of a child in this painting Robert Brackman made for the Public Works of Art Project. The artist's accustomed portrait subjects were rich white people or nude models who took careful poses in the artist's studio. This African American child afforded the artist, an immigrant from Russia, a very different view of the American scene. Brackman suggested the child's modest American home by placing her in a ladder-back chair at a table with a red plaid cloth. But the domestic interior is far less compelling than the bold child, who fixes the artist with her unflinching gaze. Her stuffed toy lies forgotten in her lap while she scrutinizes Brackman at his easel. She wiggles restlessly, not caring that her dress has hiked up to reveal the tops of her stockings. The ambitious young immigrant artist identified this little girl with far more than her home in New York. He allied her independent spirit with the future of the whole country, titling his portrait of her Somewhere in America.

1934: A New Deal for Artists exhibition label

Works by this artist (8 items)

Beatrice S. Levy, The Beach, n.d., color aquatint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.188
The Beach
Daten.d.
color aquatint
Not on view
Beatrice S. Levy, The Derelict, 1914, color aquatint on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.187
The Derelict
Date1914
color aquatint on paper
Not on view
Beatrice S. Levy, In Orchestra Hall, n.d., drypoint, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.189
In Orchestra Hall
Daten.d.
drypoint
Not on view
Beatrice S. Levy, Rain in the Hills, 1935, etching on paper, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1935.13.605
Rain in the Hills
Date1935
etching on paper
Not on view

Related Books

1934_500.jpg
1934: A New Deal for Artists
During the Great Depression, president Franklin Delano Roosevelt promised a “new deal for the American people,” initiating government programs to foster economic recovery. Roosevelt’s pledge to help “the forgotten man” also embraced America’s artists. The Public Works of Art Project (PWAP) enlisted artists to capture “the American Scene” in works of art that would embellish public buildings across the country. Although it lasted less than one year, from December 1933 to June 1934, the PWAP provided employment for thousands of artists, giving them an important role in the country’s recovery. Their legacy, captured in more than fifteen thousand artworks, helped “the American Scene” become America seen.

More Artworks from the Collection

Salvatore Mancini, Narragansett Electric, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.8
Narragansett Electric
Date2000
gelatin silver print
Not on view
Salvatore Mancini, Remains of Lock, Millville, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.6
Remains of Lock, Millville
Date2000
gelatin silver print
Not on view
Keisha Scarville, Chair, 2001, gelatin silver print, Smithsonian American Art Museum, Gift of the Perkins Center for the Arts, 2002.17, © 2001, Keisha Scarville
Chair
Date2001
gelatin silver print
Not on view
Salvatore Mancini, Eel Fisherman, 2000, gelatin silver print, Smithsonian American Art Museum, Gift of Joseph A. Chazan, M.D., 2002.80.2
Eel Fisherman
Date2000
gelatin silver print
Not on view