Split

Kenneth Noland, Split, 1959, acrylic on canvas, Smithsonian American Art Museum, Gift from the Vincent Melzac Collection, 1980.6.2
Kenneth Noland, Split, 1959, acrylic on canvas, 9494 14 in. (237.8238.5 cm.), Smithsonian American Art Museum, Gift from the Vincent Melzac Collection, 1980.6.2

Artwork Details

Title
Split
Date
1959
Location
Not on view
Dimensions
9494 14 in. (237.8238.5 cm.)
Credit Line
Gift from the Vincent Melzac Collection
Mediums
Mediums Description
acrylic on canvas
Classifications
Subjects
  • Abstract — geometric
Object Number
1980.6.2

Artwork Description

Split is one of the concentric circle paintings that gained Noland widespread acclaim in the late 1950s. Their centered format was a significant break from the all-over compositions of abstract expressionists like Jackson Pollock. Energy seems to radiate from the canvas, as if its colored rings were spinning in motion and counter-motion. Noland described his painting method as "one-shot"-- since working on unprimed canvas allowed no opportunity to alter the paint once applied. Noland built Split from the middle outward, choosing each successive hue to create dynamic optical effects. A central core of solid blue is set within a white square that contrasts boldly with the surrounding black. The jagged, stained edges of the outer blue and red rings evoke the pulsating energy of the sun, as the circle motif itself raises associations with the cosmos and infinity.

Works by this artist (6 items)

Kenneth Noland, Untitled, 1958, acrylic on canvas, Smithsonian American Art Museum, Gift of Chiyo Thomas Telford in loving memory of her father, Elbert D. Thomas, 1992.88
Untitled
Date1958
acrylic on canvas
On view
Kenneth Noland, Sarah's Reach, 1964, acrylic on canvas, Smithsonian American Art Museum, Museum purchase from the Vincent Melzac Collection through the Smithsonian Institution Collections Acquisition Program, 1980.5.9
Sarah’s Reach
Date1964
acrylic on canvas
Not on view
Kenneth Noland, Shoot, 1964, acrylic on canvas, Smithsonian American Art Museum, Museum purchase from the Vincent Melzac Collection through the Smithsonian Institution Collections Acquisition Program, 1980.5.8
Shoot
Date1964
acrylic on canvas
Not on view
Kenneth Noland, Untitled, 1952, oil on fiberboard mounted on plywood, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 1977.86.1
Untitled
Date1952
oil on fiberboard mounted on plywood
Not on view

More Artworks from the Collection

Louse Point Reverie
Date1991
acrylic on canvas
Not on view
Gene Davis, Micro-Painting, ca. 1966-1968, acrylic on canvas, Smithsonian American Art Museum, Bequest of Florence Coulson Davis, 1996.104.161
Micro-Painting
Dateca. 1966-1968
acrylic on canvas
Not on view
Thomas Downing, Blue Space, ca. 1954, acrylic on cotton, Smithsonian American Art Museum, Gift of Dr. and Mrs. Robert J. Wetmore, 1979.40.3
Blue Space
Dateca. 1954
acrylic on cotton
Not on view
Emilio Cruz, Angola's Dreams Grasp Finger Tips, 1973, acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. and Mrs. David K. Anderson, Martha Jackson Memorial Collection, 1980.137.20
Angola’s Dreams Grasp Finger Tips
Date1973
acrylic on canvas
Not on view