Still Life #12

Tom Wesselmann, Still Life #12, 1962, acrylic and collage of fabric, photogravure, metal, etc. on fiberboard, Smithsonian American Art Museum, Museum purchase, 1986.23, © 1962, Tom Wesselmann
Tom Wesselmann, Still Life #12, 1962, acrylic and collage of fabric, photogravure, metal, etc. on fiberboard, 4848 18 in. (122122.1 cm), Smithsonian American Art Museum, Museum purchase, 1986.23, © 1962, Tom Wesselmann

Artwork Details

Title
Still Life #12
Date
1962
Location
Not on view
Dimensions
4848 18 in. (122122.1 cm)
Copyright
© 1962, Tom Wesselmann
Credit Line
Museum purchase
Mediums Description
acrylic and collage of fabric, photogravure, metal, etc. on fiberboard
Classifications
Subjects
  • Still life — other — cookware
  • Still life — other — container
  • Still life — other — container
  • Still life — foodstuff — meat
  • Still life — art tool — camera
  • Still life — art tool — camera
  • Still life — foodstuff — beverage
  • Still life — fruit — lemon
  • Still life — fruit — apple
Object Number
1986.23

Artwork Description

Still Life #12 recasts the established tradition of still-life painting in the pop language of American consumer culture. Wesselmann's tabletop scene is a landscape of temptation and bounty, combining advertising images of frosty beverages and a glistening ham with painted facsimiles of fruit and a redchecked tablecloth. The luscious images point to multiple modes of desire. The apple and breast-shaped lemon perch on the threshold of a Garden of Eden while, below, the trussed ham and two strategically placed cans of "Bustelo" coffee stand in for one of the female figures that Wesselman made famous in his Great American Nude series. The image of a camera staring toward the quasi-figure in the foreground further suggests the influence of commercial photography, including pin-up imagery, on Wesselman's art.

Works by this artist (1 item)

Edith Jaffy Kaplan, Political liberty does not consist in an unlimited freedom...we must have continually present to our minds the difference between independence and liberty. Liberty is a right of doing whatever the laws permit, and if a citizen could do what they forbid he would be no longer possessed of liberty, because all his fellow-citizens would have the same power.--Montesquieu on the Nature of Liberty. From the series Great Ideas of Western Man., 1951, brush and ink and gouache on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.137
Political liberty does not consist in an unlimited freedom…
Date1951
brush and ink and gouache on paper
Not on view

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A state which dwarfs its men in order that they may be…
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George Giusti, "Civilization is a method of living, an attitude of equal respect for all men."--Jane Addams, Speech, Honolulu, 1933. From the series Great Ideas of Western Man., 1955, India ink and gouache on paper, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.107
Civilization is a method of living, an attitude of equal…
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Kansas, from the United States Series
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Miguel Covarrubias, No land is strange to U.S. paper packages today, from the Early Series, 1944, ink and gouache with collage on paperboard, Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.72
No land is strange to U.S. paper packages today, from the…
Date1944
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