The softly brushed lines and gently calibrated color of Still Life with Peonies reflects Porter’s thinking about the confluence of the personal and the contextual in the practice of art. The exuberant vase of flowers negotiates with (and against) the vertical rungs and curved handrail. The simple screen and striped wallpaper serve as counterpoints to the energy of the peonies’ petals. Presented as the primary focus of the composition, Porter depicted the flowers carried by his wife, Dorothy, when she was honored at Howard University in 1947, while the painting-within-a-painting represents a canvas Porter completed during a research trip to Cuba and Haiti.
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
African American Art: Harlem Renaissance, Civil Rights Era, and Beyond, 2012
- Title
-
Still Life with Peonies
- Artist
- Date
- 1949
- Location
- Not on view
- Dimensions
- 40 x 30 1⁄8 in. (101.6 x 76.5 cm.)
- Credit Line
-
Smithsonian American Art Museum
Museum purchase through the Luisita L. and Franz H. Denghausen Endowment and the Smithsonian Institution Collections Acquisition Program
- Mediums
- Mediums Description
- oil on canvas
- Classifications
- Highlights
- Keywords
-
- Still life – furniture – screen
- Still life – furniture – table
- Still life – other – vase
- Still life – flower – peony
- Still life – art object – painting
- Object Number
-
1994.59
- Palette
- Emoji
- Linked Open Data
- Linked Open Data URI