The Tame Bongo

Orovida Camille Pissarro, The Tame Bongo, 1940, etching, Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1941.6.27
Orovida Camille Pissarro, The Tame Bongo, 1940, etching, plate: 7 349 78 in. (19.825.1 cm), Smithsonian American Art Museum, Gift of Chicago Society of Etchers, 1941.6.27

Artwork Details

Title
The Tame Bongo
Date
1940
Location
Not on view
Dimensions
plate: 7 349 78 in. (19.825.1 cm)
Credit Line
Gift of Chicago Society of Etchers
Mediums Description
etching
Classifications
Subjects
  • Landscape
  • Figure group — nude
Object Number
1941.6.27

Works by this artist (314 items)

Henry Wolf, Portrait of a Lady, 1906, wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.228
Portrait of a Lady
Date1906
wood engraving on paper
Not on view
Henry Wolf, Mrs. Alexander Campbell, 1913, photomechanical wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.282
Mrs. Alexander Campbell
Date1913
photomechanical wood engraving on paper
Not on view
Henry Wolf, Mrs. Deborah Franklin, 1898, wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.160
Mrs. Deborah Franklin
Date1898
wood engraving on paper
Not on view
Henry Wolf, Miss Eleanor Gordon, 1908, photomechanical wood engraving on paper, Smithsonian American Art Museum, Transfer from the Archives of American Art, Smithsonian Institution, 1973.130.238
Miss Eleanor Gordon
Date1908
photomechanical wood engraving on paper
Not on view

More Artworks from the Collection

Renie Breskin Adams, Fear, Laughter and the Unknown, 1978, cotton and linen embroidery, Smithsonian American Art Museum, Gift of the Council of American Embroiderers on the occasion of the 25th Anniversary of the Renwick Gallery, 1996.40, ©1978, Renie Breskin Adams
Fear, Laughter and the Unknown
Date1978
cotton and linen embroidery
Not on view
Michael James, Quilt #150: Rehoboth Meander, 1993, machine pieced cotton and silk; machine quilted, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1994.76, © 1993, Michael F. James
Quilt #150: Rehoboth Meander
Date1993
machine pieced cotton and silk; machine quilted
Not on view
Sue Pierce, Dinner at Aunt Tilly's, 1993, machine-pieced, appliqued, and quilted cotton and cotton-blend fabrics with polyester batting, Smithsonian American Art Museum, Gift of Mary L. Pierce, 1999.59
Dinner at Aunt Tilly’s
Date1993
machine-pieced, appliqued, and quilted cotton and cotton-blend fabrics with polyester batting
Not on view
Joan Schulze, The Crossing, 1990, painted, pieced, appliqued and machine-quilted cotton with stitched calligraphy, Smithsonian American Art Museum, Gift of Penny Nii and Edward A. Feigenbaum, 1997.1
The Crossing
Date1990
painted, pieced, appliqued and machine-quilted cotton with stitched calligraphy
Not on view