Til I am nothing but a Spirit, and lose this form of clay, from Illustrations to the songs from William Blake’s ​“Island in the Moon”

Charles Seliger, Til I am nothing but a Spirit, and lose this form of clay, from Illustrations to the songs from William Blake's "Island in the Moon", 1945, white ink on black ink on paper, Smithsonian American Art Museum, Gift of Michael Rosenfeld, 1992.53.10
Copied Charles Seliger, Til I am nothing but a Spirit, and lose this form of clay, from Illustrations to the songs from William Blake's "Island in the Moon", 1945, white ink on black ink on paper, sheet: 14 x 11 in. (35.6 x 27.9 cm), Smithsonian American Art Museum, Gift of Michael Rosenfeld, 1992.53.10

Artwork Details

Title
Til I am nothing but a Spirit, and lose this form of clay, from Illustrations to the songs from William Blake’s ​“Island in the Moon”
Artist
Date
1945
Location
Not on view
Dimensions
sheet: 14 x 11 in. (35.6 x 27.9 cm)
Credit Line
Gift of Michael Rosenfeld
Mediums
Mediums Description
white ink on black ink on paper
Classifications
Subjects
  • Abstract
  • Allegory — other — liberation
  • Allegory — religion — salvation
  • Literature — Blake — Island in the Moon
Object Number
1992.53.10
Linked Open Data
https://edan.si.edu/saam/id/object/1992.53.10

Artwork Description

At age nineteen, Charles Seliger drew illustrations for songs from the unfinished satire, An Island in the Moon by William Blake (1757-1827), an English poet, painter, and printmaker.
Written around 1785, the manuscript combines classical Greek satire with a critique of one of the intellectual salons of the London bourgeoisie. Each of Seliger’s drawings depict one or more of the absurdly named characters from Blake’s fictional island, some of whom also represent friends and contemporaries of the author. Suction, the Epicurean, for example, is believed to correspond to Blake’s brother Robert, and Quid, the Cynic refers to Blake himself.
Blake’s song lyrics range from vulgar to menacing to humorous. While Old Corruption is considered an allegory for sin, the song for which Seliger drew O, I Say You Joe, Throw Us the Ball was the first recorded poem to focus on cricket, an English bat-and-ball sport.

Abstract Drawings, 2012