Tok’Acou

Thomas Mann, Tok'Acou, 1993, silver, copper, brass, nickel, Plexiglas, and color photocopy, Smithsonian American Art Museum, Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (1971-1986), 1997.72.2
Thomas Mann, Tok'Acou, 1993, silver, copper, brass, nickel, Plexiglas, and color photocopy, 5 123 1412 in. (14.08.31.3 cm), Smithsonian American Art Museum, Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (19711986), 1997.72.2

Artwork Details

Title
Tok’Acou
Artist
Date
1993
Location
Not on view
Dimensions
5 123 1412 in. (14.08.31.3 cm)
Credit Line
Gift of Lloyd E. Herman, founding director and director emeritus of the Renwick Gallery (19711986)
Mediums Description
silver, copper, brass, nickel, Plexiglas, and color photocopy
Classifications
Subjects
  • Portrait male — Tok’Acou — bust
  • Homage — Catlin, George
  • Object — weapon — sword
  • Indian
Object Number
1997.72.2

Artwork Description

Thomas Mann made these pieces for an exhibition about cowboys, but decided to focus on the Native Americans' point of view. The chiefs--- L'Tetan (see 1997.72.3), Nesouaquoit or "Bear in the Forks of a Tree" (see 1997.72.5), No-Tin or "Wind" (see 1997.72.1), Nowaykesugga or "He Who Strikes Two at Once" (see 1997.72.6), Shauhaunapotinia or "Man Who Killed Three Sioux" (see 1997.72.4), and Tok'Acou or "He That Inflicts the First Wound"--- were members of a large delegation of Indians who came to Washington in the winter of 1821-1822 to see President Monroe. Thomas McKenney, the head of the United States Bureau of Indian Affairs from 1816 until 1830, commissioned artists James Otto Lewis and Charles Bird King to preserve the likenesses of the visitors. These portraits later were published in a portfolio of prints with a text written by James Hall. Mann found McKenney and Hall's History of the Indian Tribes of North America at a flea market and used images from the book for these pieces.

Works by this artist (1 item)

Karin Broker, Fallout, from the portfolio Point of Departure, 1983-1984, intaglio on paper, Smithsonian American Art Museum, Gift of Jane E. Goldman and Catherine Kernan, 1987.66.2
Fallout, from the portfolio Point of Departure
Date1983-1984
intaglio on paper
Not on view

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