Torso

Bessie Stough Callender, Torso, ca. 1930, granite on marble base, 17 145 384 in. (43.713.510.1 cm.), Smithsonian American Art Museum, Bequest of Harold Callender, 1960.8.5

Artwork Details

Title
Torso
Date
ca. 1930
Dimensions
17 145 384 in. (43.713.510.1 cm.)
Credit Line
Bequest of Harold Callender
Mediums
Mediums Description
granite on marble base
Classifications
Subjects
  • Figure female — nude
  • Figure female — knee length
Object Number
1960.8.5

Artwork Description

Bessie Stough Callender began her art training in New York, where she studied the human figure with George Bridgman, an artist recognized for his knowledge of anatomy. After moving to Paris, Callender joined a life class and created numerous sketches and models of different hands, feet, torsos, and heads. She was inspired by ancient Egyptian sculpture and began carving human figures directly in stone. Callender carved Torso from granite, using smooth curves and simple forms to emphasize the natural rough texture of the stone.

Works by this artist (65 items)

Romaine Brooks, Angels Feed the Saint's Donkey, 1930, pencil on paper, Smithsonian American Art Museum, Gift of the artist, 1968.90.12
Angels Feed the Saint’s Donkey
Date1930
pencil on paper
Not on view
Romaine Brooks, Masonic, ca. 1930, pencil on paperboard, Smithsonian American Art Museum, Gift of the artist, 1968.90.30
Masonic
Dateca. 1930
pencil on paperboard
Not on view
Romaine Brooks, Mummy, 1930, pencil on paper, Smithsonian American Art Museum, Gift of the artist, 1968.90.8
Mummy
Date1930
pencil on paper
Not on view
Romaine Brooks, Jeune Fille Anglaise--Yeux et Rubans Verts, ca. 1910, oil on canvas, Smithsonian American Art Museum, Gift of the artist, 1966.49.3
Jeune Fille Anglaise – Yeux et Rubans Verts
Dateca. 1910
oil on canvas
Not on view

More Artworks from the Collection

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Artist
Unidentified
Date1776
horn
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Carving
Artist
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ivory
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D. D. La Rioja, Plaque, 1700-1800, ivory, paper, metal, and glass, Smithsonian American Art Museum, Gift of John Gellatly, 1929.8.240.9
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Date1700-1800
ivory, paper, metal, and glass
Not on view
Unidentified (French), Fan, 1740-1750, paper; ivory, Smithsonian American Art Museum, Bequest of Mrs. Henry L. Milmore through Mr. Henry L. Milmore, 1956.6.102
Fan
Artist
Unidentified (French)
Date1740-1750
paper; ivory
Not on view