Touch Football

Perla de Leon, Touch Football, 1980, gelatin silver print, Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.16.10, © 1980, Perla de Leon
Perla de Leon, Touch Football, 1980, gelatin silver print, image: 6 × 9 12 in. (15.2 × 24.1 cm) sheet: 8 × 10 in. (20.3 × 25.4 cm), Smithsonian American Art Museum, Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center, 2016.16.10, © 1980, Perla de Leon

Artwork Details

Title
Touch Football
Date
1980
Location
Not on view
Dimensions
image: 6 × 9 12 in. (15.2 × 24.1 cm) sheet: 8 × 10 in. (20.3 × 25.4 cm)
Copyright
© 1980, Perla de Leon
Credit Line
Museum purchase through the Smithsonian Latino Initiatives Pool, administered by the Smithsonian Latino Center
Mediums Description
gelatin silver print
Classifications
Subjects
  • Architecture Exterior — domestic — apartment
  • Recreation — sport and play — football
  • Figure male — child
  • Cityscape — New York — New York
  • Cityscape — street
  • Figure group — male
  • African American
Object Number
2016.16.10

Works by this artist (2 items)

Antonio di Pisanello, Unidentified (Italian), Alphonso I of Naples, n.d., plaster, Smithsonian American Art Museum, Gift of the heirs of Albert Laessle: Mrs. Albertine de Bempt Laessle, Mr. Albert M. Laessle and Mr. Paul Laessle, 1972.167.77
Alphonso I of Naples
Artist
Unidentified (Italian)
Daten.d.
plaster
Not on view
Antonio di Pisanello, Unidentified (Italian), Boar Hunt, n.d., plaster, Smithsonian American Art Museum, Gift of the heirs of Albert Laessle: Mrs. Albertine de Bempt Laessle, Mr. Albert M. Laessle and Mr. Paul Laessle, 1972.167.76
Boar Hunt
Artist
Unidentified (Italian)
Daten.d.
plaster
Not on view

Exhibitions

Photograph of children playing in the water from a fire hydrant by Hiram Maristany
Down These Mean Streets: Community and Place in Urban Photography
May 11, 2017August 5, 2017
America’s urban streets have long inspired documentary photographers. After World War II, populations shifted from the city to the suburbs and newly built highways cut through thriving neighborhoods, leaving isolated pockets within major urban centers.

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