From Traditional to Contemporary

Corey Alston, From Traditional to Contemporary, 2021, sweetgrass, 33 × 33 in. (83.8 × 83.8 cm), Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2022.6

Artwork Details

Title
From Traditional to Contemporary
Artist
Date
2021
Dimensions
33 × 33 in. (83.8 × 83.8 cm)
Credit Line
Gift of Carolyn L. Mazloomi
Mediums
Mediums Description
sweetgrass
Classifications
Subjects
  • Object — other — basket
Object Number
2022.6

Artwork Description

This is the most ambitious basket completed by Gullah weaver Corey Alston. Unlike many Gullah weavers, Alston did not learn the craft of coiling as a child because he was born into a family of blacksmiths. When he married into a family of sweetgrass weavers, his wife’s grandmother, the family matriarch and nationally acclaimed artist Mary Jane Manigault, gave her blessing for Alston to learn the family tradition.


Gullah people have been making sweetgrass baskets in the Lowcountry of South Carolina since the seventeenth century. Early “traditional” baskets were made by enslaved Africans to aid the cultivation of rice on plantations. Alston, a fifth-generation maker, shapes intricate patterns into “contemporary” sculptural baskets. He is currently teaching his daughter the process, sustaining memory and kinship coil by coil.


This Present Moment: Crafting a Better World, 2022

Works by this artist (1 item)

Corey Alston, From Traditional to Contemporary, 2021, sweetgrass, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2022.6
From Traditional to Contemporary
Date2021
sweetgrass
On view

Related Posts

A close up detail of a coiled, sweet grass basket
Gullah basket weaver Corey Alston sustains memory and kinship coil by coil
SAAM

More Artworks from the Collection

Mary Jackson, Vase with Handle, 2018, sweetgrass, pine needles, bulrush, and palmetto, Smithsonian American Art Museum, Gift of Brenda Erickson in memory of Richard Fryklund, 2018.9, © 2018, Mary A. Jackson
Vase with Handle
Date2018
sweetgrass, pine needles, bulrush, and palmetto
Not on view
Marlana Thompson, Ononkwashon: a/Medicine Plants, 2020, black velveteen, red flannel, Czech seed beads, sweetgrass, sage, and leather, Smithsonian American Art Museum, Museum purchase through the Kenneth R. Trapp Acquisition Fund, 2020.29.3, © April 28, 2020, Marlana Thompson
Ononkwashon: a/​Medicine Plants
Date2020
black velveteen, red flannel, Czech seed beads, sweetgrass, sage, and leather
On view
Lynette Youson, Gullah Fanner Basket, 2002, sweetgrass, bulrush, pine needles, and palmetto fronds, Smithsonian American Art Museum, Gift of Martha G. Ware and Steven R. Cole, 2011.47.76
Gullah Fanner Basket
Date2002
sweetgrass, bulrush, pine needles, and palmetto fronds
Not on view