Young Queen of Ethiopia

  • James W. Washington, Jr., Young Queen of Ethiopia, 1956, limestone on wood base, Smithsonian American Art Museum, Gift of the artist, 1984.115, © 1956, James W. Washington, Jr. and Janie R. Washington

James W. Washington, Jr., was extremely philosophical, especially in his approach to art. Raised in a deeply religious, African American family in the segregated South, Washington believed he gave life to his stone sculptures through fostering what he called a spiritual force.” He hoped that his art would transcend language, as well as cultural and racial barriers. He dedicated this sculpture, one of his earliest, to his family. He might have seen the figure of a young Ethiopian queen as a symbol of strength and unity, representing not just his immediate family but the African American community as a whole. During the civil rights movement, biblical verses about Ethiopia were used to support the fight for racial equality, particularly Psalm 68:31: Princes shall come out of Egypt and Ethiopia shall soon stretch out her hands unto God.” This idea of a universal equality aligned with Washington’s personal philosophical beliefs.

Young Queen of Ethiopia
Not on view
16 126 589 34 in. (4216.924.8 cm)
Credit Line

Smithsonian American Art Museum

Gift of the artist

Mediums Description
limestone on wood base
  • Occupation – other – aristocrat
  • African – Ethiopian
Object Number
Linked Open Data
Linked Open Data URI

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