In this Case: Patent Models

Bridget Callahan
Luce Program Coordinator
December 24, 2013
Mousetrap

Mousetrap, one of the patent models now in American Art's collection.

You can't take a tour of the American Art Museum without your guide telling you that this magnificent gem of a building was originally home to the Patent Office. Built between 1836 and 1868, the building was conceived of as a "temple of invention," dedicated to American creative genius and technical superiority. This is still true today, but instead of housing offices and a patent library, America's creative genius is represented by the thousands of artworks displayed in the galleries. Aside from this link and the historic architecture, an additional link to the building's past use remains. The American Art Museum acquired 25 patent models in 2011—the first models in our entire collection! For the first two years, the models starred in our temporary exhibition, Inventing a Better Mousetrap: Patent Models from the Rothschild Collection. Recently, we welcomed some of them into the Luce Foundation Center, where they sit in a case across from sculptures of some 19th-century inventors and thinkers.

The patent models are one of our favorite stories. Originally, patent law stipulated that inventors had to submit with their patent application, a description of their invention, a drawing, and a working model. These models were displayed in galleries of the Patent Office building for public inspection, thereby establishing the Patent Office as a destination for visitors. Eventually, inventors no longer had to submit models and the Patent Office moved the models into storage until they were auctioned off in 1925. These objects are totally unique—only one was ever made for each invention, distinguished from salesman's samples by the tag affixed to each model when it received its patent.

One of the most engaging models is the humane Mousetrap invented by John Kopas and George Bauer. The trap consisted of four spring-loaded platforms in a box. Each platform was baited, and once a mouse came up to take the bait, a spring released and he would drop into the box and the next platform would rotate up. In addition to being humane, this trap was also efficient. Up to four mice could be caught before the trap had to be re-baited. Other fascinating models you can see in our case include an Incense Burner and a Paper Bag Making Machine, both of which are beautiful as well as functional. The Sewing Machine, which was actually an improvement to a previously-existing invention, was the only invention in our cases that was actually put into production.

The next time you're in the Luce Center, pop over to case 21a to see these models and celebrate their homecoming.

Categories

Recent Posts

Detail of Phoebe Kline. She is sitting in front of orchids and smiling.
Docent Phoebe Kline began at SAAM in 1974 and she's still going strong
A photograph of a woman in front of artwork
More visitors and new exhibitions highlight a season of change.
 Stephanie Stebich, SAAM's Margaret and Terry Stent Direction in the museum's Lincoln Gallery. Photo by Gene Young. 
Stephanie Stebich
The Margaret and Terry Stent Director, Smithsonian American Art Museum and Renwick Gallery
Marian Anderson and symbols that surround her life
William H. Johnson portrayed the singer in multiple paintings, including in his Fighters for Freedom series.