Opening Day

The crowds await the opening of SAAM and NPG.

The crowds await the opening of SAAM and NPG. Photo by Jeff Gates.

Kriston
July 1, 2006

A crowd of hundreds waited outside, everyone hoping to be the first to enter. Waving fans and folded papers, people were surely eager to escape the heat from today's bright sunshine. There was goofy entertainment aplenty; actors dressed as George and Martha Washington and Uncle Sam chatted up the crowd, and two people dressed as the iconic father and daughter from Grant Wood's American Gothic waved down from a portico. More than a few people fanned themselves with today's copy of the Washington Post: a retired couple from Minnesota, a forestry conservation specialist named Paige, and  an attorney from Pennsylvania each told me that they were alerted to the museum's opening by Jacqueline Trescott's front-page article.

Having walked through this museum so many times during its restoration, it's now entirely strange to see "real" people browsing the galleries. There is a crowd clustered in the Luce Center's cafe, eating tasty-looking salads near the room where I'm typing. Through the wall I can hear a very loud bluegrass hootenanny shaping up, and I'm going to investigate a basket-weaving demonstration. Actual basket weaving!  It's quite a party.

 

Recent Posts

Person leaning toward a vase in a plexiglass covered case in a museum gallery, other artworks fill the space in the distance.
The artist builds futuristic worlds and characters he pairs with his traditionally sourced and formed pots, where knowledge of the past provides guidance for future generations.
SAAM
Three paintings on a light blue background.
A new exhibition that restores three American women of Japanese descent to their rightful place in the story of modernism 
SAAM
Sculpture of a person completely covered with multiple colorful, intricate patterns standing against a dark red wall with the exhibition title "The Shape of Power: Stories of Race and American Sculpture."
A new exhibition explores how the history of race in the United States is entwined in the history of American sculpture.
SAAM