Seeing Things (3): Seeing in the Dark

Media - 1993.79.1 - SAAM-1993.79.1_1 - 64525
Romare Bearden, Bopping at Birdland (Stomp Time), from the Jazz Series, 1979, color lithograph on paper, Smithsonian American Art Museum, Gift of Eugene I. Schuster, 1993.79.1, © 1979, Estate of Romare Bearden
January 13, 2009

This is the third in a series of personal observations about how people experience and explore museums.

I think museums come to life at night. As the day draws to a close and evening begins to come on, I feel a sense of containment, as if the outside world is a kind of frame around my museum experience. What’s better than an evening at a museum while the world around you is settling down for the night: it’s magic. The day has so many expectations and obligations to it, but the night gives us a different sense of ourselves as well as of the city we live in. Maybe we’re a little freer at night, a bit more open to possibilities.

American Art is open till 7:00 p.m., which means you can visit after work, walk through the galleries, and end up in the Kogod Courtyard and watch the sky turn from light to darkness. Check out the online calendar for talks, lectures, and performances, such as Take Five! jazz concerts that add another dimension to the evening. On January 15 from 5 to 8 p.m., Eric Byrd leads the eight-piece Brother Ray Band, performing the music of Ray Charles. And while you're marking your calendar, add February 19 (same hours) to hear the Night and Day Quintet, featuring vocalist Renée Tannenbaum and pianist Michael Suser.

Related Posts: Seeing Things (1) and Seeing Things (2): Art and Love

 

Categories

Recent Posts

An art conservator holds a vacuum nozzle on a piece of artwork.
A peek into the world of conservation and the meticulous care of James Hampton’s The Throne of the Third Heaven of the Nations Millennium General Assembly.
Anna Nielsen
Program Coordinator
Eliza Macdonald
Katya Zinsli
Detail of illustrated portrait of Emma Amos.
04/26/2024
Painter, printmaker, and textile artist Emma Amos created colorful multi-media works that explore themes of identity.
Detail of Phoebe Kline. She is sitting in front of orchids and smiling.
Docent Phoebe Kline began at SAAM in 1974 and she's still going strong.