Landscapes in Passing

Georgina
July 31, 2013

Landscapes In Passing: Photographs by Steve Fitch, Robbert Flick, and Elaine Mayes opened last week on the museum's second floor. This installation looks at representations of the American landscape by three different artists. While each artist had a different approach, all of the works explore the impact of expanding civilization on the natural world. The photographs show mediated views, seen from a moving car window or captured from a particular moment on a prescribed path. In contrast to 19th-century artists, who focused on majestic views of unspoiled wilderness, Fitch, Flick, and Mayes openly acknowledge the human presence in their photographs, encouraging us to think about the changing landscape as well as our relationship to it.

Landscapes in Passing was organized by Lisa Hostetler, McEvoy Family Curator of Photography. Lisa came to the American Art Museum in 2012 from the Milwaukee Art Museum, and has spent the last year familiarizing herself with our collections. We have over seven thousand photographs in the permanent collection and it is always interesting to see what new discoveries and connections will result from a fresh pair of eyes. Listen to Lisa talk about the works and artists in Landscapes in Passing in our latest video podcast series on YouTube.

Recent Posts

Five screen video installation.
Sir Isaac Julien’s moving image installation "Lessons of the Hour" interweaves period reenactments across five screens to create a vivid picture of nineteenth-century activist, writer, orator, and philosopher Frederick Douglass.
This is a photograph of curator Saisha Grayson
Saisha Grayson
Curator of Time-Based Media
Two visitors looking at an abstract painting. There are artworks around them.
01/09/2025
A poet's trip to a museum is eye-opening in unexpected ways
A white painting depicting a snowy landscape with houses on a distant hill.
12/27/2024
Artists have been capturing all the different moods of light for millennia. American artists such as members of the Hudson River School, or the American impressionists, managed to capture light as a way of defining the landscape.