Remembering the Influential Figurative Painter Philip Pearlstein

January 10, 2023
A black  and white photograph of the artist Philip Pearlstein. He is wearing glasses and has a big smile.

Unidentified, Philip Pearlstein, circa 1957, photographic print, Philip Pearlstein papers, circa 1940-2008, Archives of American Art

Today we remember the towering twentieth-century figurative painter, Philip Pearlstein, who died on December 17, 2022, at age 98. Born in 1924 in Pittsburgh, Pennsylvania, Pearlstein was inspired at an early age by classes at Carnegie Museum of Art and, later, at the Carnegie Institute’s art school. Pearlstein became renowned for his daring large-scale nudes, which, in the 1960s, challenged the authority of post-painterly and hard-edge abstraction. “He took a traditional genre and made it shockingly modern,” said Melissa Ho, SAAM's curator of twentieth-century art.

From 1980 to 1984, Pearlstein served on the Smithsonian American Art Museum’s advisory board as an advocate for American artists.

While Pearlstein’s contemporary realist Chuck Close was interested in the landscape of the face, Pearlstein was unwaveringly interested in the landscape of the body.

Stephanie Stebich, The Margaret and Terry Stent Director 
Media - 2006.9 - SAAM-2006.9_1 - 65655
Philip Pearlstein, Two Models in a Window with Cast Iron Toys, 1987, oil on canvas, Smithsonian American Art Museum, Gift of the James F. Dicke Family, 2006.9, © 1987, Philip Pearlstein

Typical of Pearlstein’s style, the models appearing in Two Models in a Window with Cast Iron Toys (1987) are cropped by the edges of the canvas. The painter rendered these visually truncated bodies objectively, without apparent or clichéd sentiment. Their extended, intertwined, and static legs invite comparison and contrast with the limbs of the toy horses on the windowsill. The view outside locates this studio scene in Pearlstein's New York neighborhood of Hell’s Kitchen, where he lived and worked for decades.        

Read commentary by several Smithsonian experts about Pearlstein’s art and his influences in a remembrance from Smithsonian Magazine.


Recent Posts

A photograph of a woman in front of artwork
Director Stephanie Stebich looks forward to the year ahead
 Stephanie Stebich, SAAM's Margaret and Terry Stent Direction in the museum's Lincoln Gallery. Photo by Gene Young. 
Stephanie Stebich
The Margaret and Terry Stent Director, Smithsonian American Art Museum and Renwick Gallery
A detail of stained glass with a figure, in a fetal position, at the middle
Artist Judith Schaechter uses the labor-intensive medium of stained glass to capture a singular moment in time
A white man wearing a dark blazer stands leaning on a balustrade. He has a slight smile.
A tribute to the Renwick Gallery's Founding Director, Lloyd Herman, a man whose name was synonymous with studio craft
A photograph of a woman with brown hair and a dress standing inside a building.
Mary Savig
Lloyd Herman Curator of Craft