Luce Unplugged: Five Questions for Governess
The Luce Foundation Center interviews the band Governess in advance of their performance on March 23, 2018.
Eye Level
Eye Level is the blog of the Smithsonian American Art Museum and Renwick Gallery. Publishing behind-the-scenes museum stories since 2005.
Sneak Peek: Burning Man Unfolds at the Renwick
What's going on behind-the-scenes at the Renwick Gallery? While the Renwick is closed, it's far from dark: artists are installing the large-scale works that will be a part of No Spectators: The Art of Burning Man, opening on March 30.
From the Director: Be Astonished
In her poem, "Sometimes," Mary Oliver writes, "Instructions for living a life: Pay attention. Be Astonished. Tell About it."
Movies at SAAM: Five Questions for Pamela Tanner Boll
Perhaps a Pose with a Panda?
Even if you're not familiar with her name, you’ve probably seen muralist Kelsey Montague's art. Kelsey’s interactive street murals can be found throughout the country and around the globe, as well as on the Instagram accounts of multiple celebrities.
The Renwick’s New Touch Cart is a Work of Art
Being invited to touch objects in a museum is a rare and thrilling experience. Renwick visitors will now have the opportunity to explore tactile connections thanks to a new mobile touch cart.
Submit your work for SAAM Arcade 2018: Game on!
It’s that time again! The Smithsonian American Art Museum is inviting all independent video game developers to submit their work to the museum's fourth annual SAAM Arcade.
Two Artists, One Vision: Kara Walker and Spike Lee
Kara Walker’s series Harper's Pictorial History of the Civil War (Annotated), currently on view at SAAM through March 11, and Spike Lee’s 2000 film Bamboozled, are two great examples of how art has the power to tackle sensitive and important matters. Although these works are very different, they discuss the same things: history, race, gender, and stereotypes.
Wendell Castle: Timeless
Master woodworker, furniture maker, and artist Wendell Castle died on January 20, at the age of 85. During his long and illustrious career, he helped define and redefine craft furniture in America.
How’d He Do That? A Behind-the-Scenes Look at Lumia
Lighting designer Scott Rosenfeld takes you behind the scenes of the exhibition, Lumia: Thomas Wilfred and the Art of Light.
Seeing Star Wars
A long time ago in a galaxy far, far away...some museum nerds kept seeing Star Wars connections in the artworks.
Recipe for a Holiday Murder Mystery
We challenge you to create your own murder mystery crime scene. Out of gingerbread.
Pantone Ultra Violet Inspiration
We searched the museum's collection in search of Pantone's 2018 Color of the Year, PANTONE 18-3838 Ultra Violet.
Feel the Burn: The Art of Burning Man comes to the Renwick in March
Eye Level spoke with Nora Atkinson, the Lloyd Herman Curator of Craft at the Smithsonian American Art Museum’s Renwick Gallery, to learn more about her upcoming exhibition No Spectators: The Art of Burning Man, opening at t
![Exhibition - Tamayo Rufino Tamayo, New York seen from the Terrace [Nueva York desde la terraza], 1937, oil on canvas, 20 3/8 x 34 3/8 in. FEMSA Collection. © Tamayo Heirs/Mexico/Licensed by VAGA, New York, NY. Photo by Roberto Ortiz](https://s3.amazonaws.com/assets.saam.media/files/styles/max_650x650/s3/images/2017-08/tamayo_new_york_terrace_0.jpg?itok=kKAjaBsK)
In Harmony: Artist Rufino Tamayo and Composer Carlos Chávez
Carlos Chávez was Mexico’s most important composer of the twentieth century, as well as a conductor, theorist, educator, and founder of the Mexican Symphony Orchestra.
"Thanksgiving" with Grandma Moses
Grandma Moses' depiction of farm life and the annual Thanksgiving ritual of catching the holiday bird.
![Exhibition - Tamayo Rufino Tamayo, Carnival [Carnaval], 1936, gouache on paper, 15 x 22 in. Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2017.22 © Tamayo Heirs/Mexico/Licensed by VAGA, New York](https://s3.amazonaws.com/assets.saam.media/files/styles/max_650x650/s3/images/2017-08/tamayo_carnaval_saam.jpg?itok=NoDbXy2Q)
Drawn to the City: Tamayo in New York
New York City sparked Mexican artist Rufino Tamayo's imagination during his early visits in the 1920s and 1930s. At the time, Manhattan was a burgeoning new hub for the art world that welcomed artists from all over and supported cross-cultural exchanges.