Bill Traylor (ca. 1853–1949) is regarded today as one of the most important American artists of the twentieth century.
Visions and Revisions celebrates the work of four contemporary craft artists—Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano. Artworks from each artist defy expectations as they meditate on decline and decay, resilience and rebirth.
For more than sixty years, June Schwarcz (1918–2015) advanced the art of enameling—fusing glass to metal through a high-temperature firing process—while creating works that combine rich textures and luminous color.
Staged Stories: Renwick Craft Invitational 2009 showcases the talent of four exceptional artists: Christyl Boger, Mark Newport, Mary Van Cline, and SunKoo Yuh. Working in the traditional media of clay, fiber, and glass, these artists push their material to communicate in new ways.
A Revolution in Wood celebrates the gift of sixty-six pieces of turned and carved wood to the Renwick Gallery by the distinguished collectors Fleur and Charles Bresler.
History in the Making: Renwick Craft Invitational 2011 features four extraordinary artists whose work explores the deep roots of contemporary American craft and decorative arts.
Nation Building: Craft and Contemporary American Culture brings together twenty voices leading the current dialogue about critical craft studies.
Craft for a Modern World presents 150 of the Renwick Gallery’s 2,000 artworks in a new light, celebrating the restoration and reopening of its historic landmark home.
Designed by James Renwick Jr. in 1858, the building that houses the Renwick Gallery was the first in the United States conceived expressly as a public art museum.
40 Under 40: Craft Futures examines the expanding role of the handmade in contemporary culture through the work of the next generation of artists.
A Measure of the Earth provides an window into the traditional basketry revival of the past fifty years.
Published as a celebration of the Renwick Gallery’s twenty-fifth anniversary, this book masterfully illustrates the intellectual and tactile excitement found in American crafts. Photographs of exquisite clarity give this volume an optical effervescence.
Often called the great corridor of America’s westward expansion, in the nineteenth century the Great Platte River Road carried wagon trains and settlers through Nebraska Territory to points farther west.
The eighty-four pieces of studio furniture owned by the Renwick Gallery of the Smithsonian American Art Museum constitute one of the largest assemblages of American studio furniture in the nation.