Artist

Kenneth Noland

born Asheville, NC 1924-died Port Clyde, ME 2010
Media - noland_kenneth.jpg - 90100
Photograph taken by Fred W. McDarrah. Image is courtesy of the Photographs of artists taken by Fred W. McDarrah collection, 1960-1976 in the Archives of American Art, Smithsonian Institution.
Born
Asheville, North Carolina, United States
Died
Port Clyde, Maine, United States
Active in
  • South Salem, New York, United States
Biography

Kenneth Noland studied at Black Mountain College in North Carolina, a school that encouraged experimental art. Well into the 1950s, the college supported artists of all kinds, from painters who wanted to dance to musicians who wanted to sculpt. In 1949, Noland moved to Washington and was inspired by the work of European artists he saw while "going to church" at the Phillips Collection. He discovered abstract expressionism and began experimenting with unprimed canvases and unusual methods of applying paint. He and the artist Morris Louis had "jam sessions," in which they painted together and bounced ideas off one another. Noland adopted the circle as a way to make a "single expressive entity," and often applied thinned paint to unprimed canvas in a rapid "one shot" attempt to get it right. (Agee, Kenneth Noland: The Circle Paintings 1956-1963, 1993)

Works by this artist (6 items)

View all artworks
Kenneth Noland, Untitled, 1958, acrylic on canvas, Smithsonian American Art Museum, Gift of Chiyo Thomas Telford in loving memory of her father, Elbert D. Thomas, 1992.88
Untitled
Artist
Date1958
acrylic on canvas
On view
Kenneth Noland, Sarah's Reach, 1964, acrylic on canvas, Smithsonian American Art Museum, Museum purchase from the Vincent Melzac Collection through the Smithsonian Institution Collections Acquisition Program, 1980.5.9
Sarah’s Reach
Artist
Date1964
acrylic on canvas
Not on view
Kenneth Noland, Untitled, from the portfolio The New York Collection for Stockholm, 1973, color lithograph and screenprint on paper, Smithsonian American Art Museum, Gift of the Woodward Foundation, 1976.108.127, © 1973, Kenneth Noland
Untitled, from the portfolio The New York Collection for…
Artist
Date1973
color lithograph and screenprint on paper
Not on view
Kenneth Noland, Untitled, 1952, oil on fiberboard mounted on plywood, Smithsonian American Art Museum, Gift of Benjamin P. Nicolette, 1977.86.1
Untitled
Artist
Date1952
oil on fiberboard mounted on plywood
Not on view

Exhibitions

This is a painting of a large black circle and a smaller red circle surrounded by a blue mass.
Color as Field: American Painting, 1950 – 1975
February 29, 2008–May 25, 2008
Smithsonian American Art Museum
Color as Field: American Painting, 1950–1975 is the first ever full-scale examination of the sources, meaning and impact of the Color Field movement.