Bohemian Bear Tamer

Paul Wayland Bartlett, Bohemian Bear Tamer, modeled 1887, bronze, 17 128 1210 34 in. (44.621.627.3 cm.), Smithsonian American Art Museum, Gift of Mary O. Bowditch, 1961.4.1
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Artwork Details

Title
Bohemian Bear Tamer
Date
modeled 1887
Dimensions
17 128 1210 34 in. (44.621.627.3 cm.)
Credit Line
Gift of Mary O. Bowditch
Mediums
Mediums Description
bronze
Classifications
Subjects
  • Animal — bear
  • Figure male — nude
  • Figure male — full length
  • Performing arts — circus — animal tamer
Object Number
1961.4.1

Artwork Description

Paul Wayland Bartlett began his career as a sculptor of animals, as seen in this scene of a young man coaxing a bear cub to stand on its hind legs. The success of the original plaster model of this work allowed Bartlett to begin casting his sculptures in bronze, and established his reputation in America. The cub's clumsy attempt at standing, with his paws held out for balance, serves as a contrast to the tamer's confident stance. The image of the young man is likely based on European Gypsy "bear leaders," who trained bears to perform for audiences as early as the medieval period. While this sculpture seems to depict bear taming as carefree, the figure clutches a whip behind his back, hinting at the less playful reality of the animal trainers Bartlett depicted.

Works by this artist (3 items)

Marion Coleman, Her Heart Was in the Clouds, 2012, cotton fabric, cotton thread, and cotton batt, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.14
Her Heart Was in the Clouds
Date2012
cotton fabric, cotton thread, and cotton batt
On view
Marion Coleman, Ruby Nell Bridges, 2012, cotton, silk, polyester fabric, and cotton batt, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.13
Ruby Nell Bridges
Date2012
cotton, silk, polyester fabric, and cotton batt
On view
Marion Coleman, Tender Gardens, 2014, cotton fabric and batt, Smithsonian American Art Museum, Gift of Michael Humphreys, 2023.41
Tender Gardens
Date2014
cotton fabric and batt
On view

More Artworks from the Collection

Peggie L. Hartwell, Lucy Prince: The Griot's Voice, 2012, cotton fabric and cotton batt, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.2
Lucy Prince: The Griot’s Voice
Date2012
cotton fabric and cotton batt
On view
Sandra Noble, The Little Rock Nine, 2012, cotton fabric and batting, Smithsonian American Art Museum, Gift of Carolyn L. Mazloomi, 2023.20.4, © 2023, Sandra E. Noble
The Little Rock Nine
Date2012
cotton fabric and batting
Not on view
Sharon Kerry-Harlan, Bloody Sunday, 2020, cotton fabric and cotton batt, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.8
Bloody Sunday
Date2020
cotton fabric and cotton batt
On view
Lauren Austin, His Instrument for Justice, 2012, commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting, Smithsonian American Art Museum, Gift of Fleur S. Bresler, 2023.40.3, © 2012, Lauren A. Austin
His Instrument for Justice
Date2012
commercial cotton fabric, hand-dyed cotton by artist, brocade, and cotton-batting
On view