Sculpture Group Symbolizing World’s Communication in the Atomic Age

Harry Bertoia, Sculpture Group Symbolizing World's Communication in the Atomic Age, 1959, brazed and welded brass and bronze, Smithsonian American Art Museum, Gift of the Zenith Corporation, 1979.107A-D
Harry Bertoia, Sculpture Group Symbolizing World's Communication in the Atomic Age, 1959, brazed and welded brass and bronze, 142 14231 1481 in. (361.4587.4205.8 cm), Smithsonian American Art Museum, Gift of the Zenith Corporation, 1979.107A-D

Artwork Details

Title
Sculpture Group Symbolizing World’s Communication in the Atomic Age
Date
1959
Location
Not on view
Dimensions
142 14231 1481 in. (361.4587.4205.8 cm)
Credit Line
Gift of the Zenith Corporation
Mediums
Mediums Description
brazed and welded brass and bronze
Classifications
Subjects
  • Abstract
  • Allegory — arts and sciences — technology
  • Allegory — element — energy
  • Allegory — life — Atomic Age
Object Number
1979.107A-D

Artwork Description

Harry Bertoia's sculptural installation reflects the optimism of the 1950s, when the economy boomed and broadcast television was transforming American culture. The largest cluster of the sculpture symbolizes the world transmitting light to the smaller forms that represent sight, sound, and electronic control, each of which also emits luminous impulses. Bertoia explained that "we live in a time dominated by...invisible forces....these [are] elements of the atomic and electronic age that I am trying to give sculptural shape and form." Bertoia's vision of global communications is a reality today, as satellites constantly receive and transmit signals for broadcast, cell phone, and computer communications.

Works by this artist (1036 items)

William H. Johnson, Portrait of a Man, ca. 1935-1938, oil on burlap, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.814
Portrait of a Man
Dateca. 1935-1938
oil on burlap
On view
William H. Johnson, Breakdown with Flat Tire, ca. 1940-1941, oil on plywood, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.587
Breakdown with Flat Tire
Dateca. 1940-1941
oil on plywood
On view
William H. Johnson, Young Pastry Cook, ca. 1928-1930, oil on canvas, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.693
Young Pastry Cook
Dateca. 1928-1930
oil on canvas
On view
William H. Johnson, Little Sweet, 1944, oil on paperboard, Smithsonian American Art Museum, Gift of the Harmon Foundation, 1967.59.1076
Little Sweet
Date1944
oil on paperboard
On view