Winter

Dacre F. Boulton, Winter, ca. 1933-1934, oil on canvas, Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.134
Dacre F. Boulton, Winter, ca. 1933-1934, oil on canvas, 34 1828 38 in. (86.772.1 cm.), Smithsonian American Art Museum, Transfer from the U.S. Department of Labor, 1964.1.134

Artwork Details

Title
Winter
Date
ca. 1933-1934
Dimensions
34 1828 38 in. (86.772.1 cm.)
Credit Line
Transfer from the U.S. Department of Labor
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — domestic — shed
  • New Deal — Public Works of Art Project — Missouri
  • Cityscape — season — winter
  • Cityscape — street
  • Figure male
Object Number
1964.1.134

Artwork Description

Dacre Boulton painted Winter while working for Region 7 of the Public Works of Art Project (PWAP), a program sponsored by the New Deal that paid artists for their work. Under the PWAP, the United States was divided into sixteen regions, and Region 7 included Nebraska, Kansas, Iowa, and Missouri. In this image, Boulton depicted his surrounding urban landscape. The dark, muted colors of the buildings and barren trees, and the snow-covered streets, reveal a dreary winter day, but also hint at the hardships endured all over the country during the Great Depression, a dark period in America's history.

Works by this artist (4 items)

Robert Birmelin, City Crowd Study--A Street Event, 1983, acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. Louis F. Polk, 1986.74
City Crowd Study – A Street Event
Date1983
acrylic on canvas
Not on view
Robert Birmelin, Wristwatch, 1971, ink, ink wash and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.5
Wristwatch
Date1971
ink, ink wash and pencil on paper
Not on view
Robert Birmelin, Dalles Dam, Evening, 1975, acrylic on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.4
Dalles Dam, Evening
Date1975
acrylic on canvas
Not on view
Robert Birmelin, Concrete Viaduct, 1960, conte crayon on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.1
Concrete Viaduct
Date1960
conte crayon on paper
Not on view

More Artworks from the Collection

Valeri Timofeev, Chalice, 1995, fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1996.29
Chalice
Date1995
fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels
Not on view
James I. Meyer, George Washington Belt Buckle, 1974, sterling silver, 14k gold, and ruby, Smithsonian American Art Museum, Museum purchase, 1975.158
George Washington Belt Buckle
Date1974
sterling silver, 14k gold, and ruby
Not on view
Earl Pardon, Bracelet #1962, 1991, sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite, Smithsonian American Art Museum, Gift of the James Renwick Alliance, Linda Lichtenberg Kaplan and Dr. Louis D. Kaplan in honor of Kenneth R. Trapp, and Colleen and John Kotelly, 2003.40
Bracelet #1962
Date1991
sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite
Not on view
Marianne Hunter, William Hunter, Evening Blossom, 1989, ebony, 24k gold, sterling silver, enamel, amethyst, and charoite, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.26A-C, © 1989, William and Marianne Hunter
Evening Blossom
Date1989
ebony, 24k gold, sterling silver, enamel, amethyst, and charoite
Not on view