Kee-án-ne-kuk, Foremost Man, Chief of the Tribe

George Catlin, Kee-án-ne-kuk, Foremost Man, Chief of the Tribe, 1830, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.240
George Catlin, Kee-án-ne-kuk, Foremost Man, Chief of the Tribe, 1830, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.240
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Artwork Details

Title
Kee-án-ne-kuk, Foremost Man, Chief of the Tribe
Date
1830
Location
Not on view
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Indian — Kickapoo
  • Portrait male — Foremost Man
  • Portrait male — Foremost Man — bust
Object Number
1985.66.240

Artwork Description

“The present chief of [the Kickapoos] . . . usually called the . . . Shawnee Prophet, is a very shrewd and talented man. When he sat for his portrait, he took his attitude as seen in the picture, which was that of prayer. And I soon learned that he was a very devoted Christian . . . It was told to me in the tribe by the Traders (though I am afraid to vouch for the whole truth of it), that while a Methodist preacher was soliciting him for permission to preach in his village, the Prophet refused him the privilege, but secretly took him aside and supported him until he learned from him his creed, and his system of teaching it to others.” George Catlin probably executed this work at Fort Leavenworth (in today’s Kansas) in 1830. (Catlin, Letters and Notes, vol. 2, no. 47, 1841; reprint 1973)

Works by this artist (1 item)

Will Heer, Untitled, 1920-1921, watercolor, ink and pencil on fiberboard, Smithsonian American Art Museum, Gift of Laura Dreyfus Barney in memory of her mother, Alice Pike Barney, 1974.93.16
Untitled
Date1920-1921
watercolor, ink and pencil on fiberboard
Not on view

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