Wée-ke-rú-law, He Who Exchanges

George Catlin, Wée-ke-rú-law, He Who Exchanges, 1832, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.121
George Catlin, Wée-ke-rú-law, He Who Exchanges, 1832, oil on canvas, 2924 in. (73.760.9 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.121
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Artwork Details

Title
Wée-ke-rú-law, He Who Exchanges
Date
1832
Dimensions
2924 in. (73.760.9 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Portrait male — He Who Exchanges — bust
  • Indian — Oto
  • Recreation — leisure — smoking
Object Number
1985.66.121

Artwork Description

This portrait reflects George Catlin’s respect for the Native Americans who posed for him. He Who Exchanges looked directly at Catlin while the painter worked to capture his likeness. The figure’s pose reflects the symbolic importance of the effigy pipe he holds in his hand. Catlin had been given a similar pipe by a Pawnee, who explained that the seated figure on the pipe was his own portrait and that it would enable him to look a white man in the face. (Gurney and Heyman, eds., George Catlin and His Indian Gallery, 2002)

Works by this artist (626 items)

Werner Drewes, Central Density, 1973, oil on canvas, Smithsonian American Art Museum, Museum purchase, 1975.116
Central Density
Date1973
oil on canvas
On view
Werner Drewes, Pointed Brown and Floating Circles, 1933, oil, pen and ink, and pencil on wood panel, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.17
Pointed Brown and Floating Circles
Date1933
oil, pen and ink, and pencil on wood panel
On view
Werner Drewes, Suspended Forms, woodcut, Smithsonian American Art Museum, Gift of the artist, 1977.21.11
Suspended Forms
woodcut
Not on view
Werner Drewes, Summer Bouquet (no. 242), color woodcut, Smithsonian American Art Museum, Gift of the artist, 1968.9.81
Summer Bouquet (no. 242)
color woodcut
Not on view

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