Bird’s-eye View of the Mandan Village, 1800 Miles above St. Louis

George Catlin, Bird's-eye View of the Mandan Village, 1800 Miles above St. Louis, 1837-1839, oil on canvas, Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.502
George Catlin, Bird's-eye View of the Mandan Village, 1800 Miles above St. Louis, 1837-1839, oil on canvas, 24 1829 in. (61.273.6 cm), Smithsonian American Art Museum, Gift of Mrs. Joseph Harrison, Jr., 1985.66.502
Free to use

Artwork Details

Title
Bird’s-eye View of the Mandan Village, 1800 Miles above St. Louis
Date
1837-1839
Dimensions
24 1829 in. (61.273.6 cm)
Credit Line
Gift of Mrs. Joseph Harrison, Jr.
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Architecture Exterior — domestic — hut
  • Indian — Mandan
  • Landscape — United States
  • Landscape — bird’s eye view
  • Figure group
Object Number
1985.66.502
Research Notes

Artwork Description

“I have this morning, perched myself upon the top of one of the earth-covered lodges . . . and having the whole village beneath and about me, with its sachems---its warriors---its dogs---and its horses in motion---its medicines (or mysteries) and scalp-poles waving over my head---its piquets---its green fields and prairies, and river in full view, with the din and bustle of the thrilling panorama that is about me. I shall be able, I hope, to give some sketches more to the life than I could have done from any effort of recollection . . . The groups of lodges around me present a very curious and pleasing appearance, resembling in shape (more nearly than anything else I can compare them to) so many potash-kettles inverted. On the tops of these are to be seen groups standing and reclining, whose wild and picturesque appearance it would be difficult to describe. Stern warriors, like statues, standing in dignified groups, wrapped in their painted robes, with their heads decked and plumed with quills of the war-eagle.” (Catlin, Letters and Notes, vol. 1, no. 12, 1841; reprint 1973)

Works by this artist (6 items)

Bill Beirne, Breathe, 1972, single-channel video, black and white, sound; 10:24 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.1, © 1972, Bill Beirne
Breathe
Date1972
single-channel video, black and white, sound; 10:24 minutes
Not on view
Bill Beirne, Lights of Glass, 1971, 16mm film, black and white, silent; 05:44 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.4, © 1971, Bill Beirne
Lights of Glass
Date1971
16mm film, black and white, silent; 05:44 minutes
Not on view
Bill Beirne, Drawing, 1972, single-channel video, black and white, sound; 12:42 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.3, © 1972, Bill Beirne
Drawing
Date1972
single-channel video, black and white, sound; 12:42 minutes
Not on view
Bill Beirne, Cross Reference, 1976, two-channel video installation, color, sound; 32:00 minutes, Smithsonian American Art Museum, Museum purchase through the Gene Davis Memorial Fund, 2015.6.2, © 1976, Bill Beirne
Cross Reference
Date1976
two-channel video installation, color, sound; 32:00 minutes
Not on view

Exhibitions

Media - 1985.66.404 - SAAM-1985.66.404_1 - 9039
Picturing the American Buffalo: George Catlin and Modern Native American Artists
October 11, 2019March 13, 2020
Picturing the American Buffalo: George Catlin and Modern Native American Artists examines representations of buffalo and their integration into the lives of Native Americans on the Great Plains in the 1830s and in the twentieth century.

More Artworks from the Collection

My Body Sees You
Date1992
single-channel video, color sound; 05:58 minutes
Not on view
Charlemagne Palestine, Running Outburst, 1975, 5:56 minutes, black & white, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.6, © 1975, Charlemagne Palestine. Courtesy Electronic Arts Intermix, NY
Running Outburst
Date1975
5:56 minutes, black & white, sound
Not on view
Bill Viola, Silent Life from The Reflecting Pool- Collected Work 1977-80, 1979, 13:14 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.16.3, © 1979 Bill Viola. Courtesy Electronic Arts Intermix, NY
Silent Life from The Reflecting Pool- Collected Work 1977 – 80
Date1979
13:14 minutes, color, sound
Not on view
Woody Vasulka, Explanation from Selected Works, 1974, 11:45 minutes, color, sound, Smithsonian American Art Museum, Museum purchase made possible by the Ford Motor Company, 2008.21.14.4, © 1974 Woody Vasulka. Courtesy Electronic Arts Intermix, NY
Explanation from Selected Works
Date1974
11:45 minutes, color, sound
Not on view