Untitled

John Ferren, Untitled, 1937, carved, engraved, and hand-painted plaster in wood frame, Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.23, © 1937 John Ferren
John Ferren, Untitled, 1937, carved, engraved, and hand-painted plaster in wood frame, 1822 in. (45.755.9 cm.), Smithsonian American Art Museum, Gift of Patricia and Phillip Frost, 1986.92.23, © 1937 John Ferren

Artwork Details

Title
Untitled
Artist
Date
1937
Dimensions
1822 in. (45.755.9 cm.)
Copyright
© 1937 John Ferren
Credit Line
Gift of Patricia and Phillip Frost
Mediums
Mediums Description
carved, engraved, and hand-painted plaster in wood frame
Classifications
Subjects
  • Abstract
Object Number
1986.92.23

Artwork Description

An abstract expressionist work from 1937, Untitled reflects an artistic approach John Ferren developed while working at Stanley William Hayter's influential Atelier 17 studio in Paris. Hayter introduced Ferren to a nineteenth-century printing technique in which an etched and inked plate is imprinted in wet plaster. The plaster is then carved and painted, using the etched lines as a guide. Pierre Matisse, son of the French painter Henri Matisse, showed several of these plasters in a 1936 exhibition of Ferren's work at Matisse's New York gallery and gave the young artist a contract to do more. (Mecklenburg, The Patricia and Phillip Frost Collection, American Abstraction, 1930-1945, 1989)

Works by this artist (4 items)

Robert Birmelin, City Crowd Study--A Street Event, 1983, acrylic on canvas, Smithsonian American Art Museum, Gift of Mr. Louis F. Polk, 1986.74
City Crowd Study – A Street Event
Date1983
acrylic on canvas
Not on view
Robert Birmelin, Wristwatch, 1971, ink, ink wash and pencil on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.5
Wristwatch
Date1971
ink, ink wash and pencil on paper
Not on view
Robert Birmelin, Dalles Dam, Evening, 1975, acrylic on canvas, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1986.6.4
Dalles Dam, Evening
Date1975
acrylic on canvas
Not on view
Robert Birmelin, Concrete Viaduct, 1960, conte crayon on paper, Smithsonian American Art Museum, Gift of the Sara Roby Foundation, 1985.30.1
Concrete Viaduct
Date1960
conte crayon on paper
Not on view

More Artworks from the Collection

Valeri Timofeev, Chalice, 1995, fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels, Smithsonian American Art Museum, Gift of the James Renwick Alliance, 1996.29
Chalice
Date1995
fine and sterling silver, 24k gold plate, 24k gold foil, garnets, pearls, turquoise, hematite, tiger's eye, filigree wire, and plique-a-jour on Thompson and Blythe enamels
Not on view
James I. Meyer, George Washington Belt Buckle, 1974, sterling silver, 14k gold, and ruby, Smithsonian American Art Museum, Museum purchase, 1975.158
George Washington Belt Buckle
Date1974
sterling silver, 14k gold, and ruby
Not on view
Earl Pardon, Bracelet #1962, 1991, sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite, Smithsonian American Art Museum, Gift of the James Renwick Alliance, Linda Lichtenberg Kaplan and Dr. Louis D. Kaplan in honor of Kenneth R. Trapp, and Colleen and John Kotelly, 2003.40
Bracelet #1962
Date1991
sterling silver, 14k gold, enamels with gilt, blue and yellow topaz, amethysts, rhodolite
Not on view
Marianne Hunter, William Hunter, Evening Blossom, 1989, ebony, 24k gold, sterling silver, enamel, amethyst, and charoite, Smithsonian American Art Museum, Gift of Fleur and Charles Bresler in honor of Kenneth R. Trapp, curator-in-charge of the Renwick Gallery (1995--2003), 2003.60.26A-C, © 1989, William and Marianne Hunter
Evening Blossom
Date1989
ebony, 24k gold, sterling silver, enamel, amethyst, and charoite
Not on view