Transition

Philip Guston, Transition, 1975, oil on canvas, Smithsonian American Art Museum, Bequest of Musa Guston, 1992.89
Philip Guston, Transition, 1975, oil on canvas, 6680 12 in. (167.6204.5 cm.), Smithsonian American Art Museum, Bequest of Musa Guston, 1992.89

Artwork Details

Title
Transition
Date
1975
Location
Not on view
Dimensions
6680 12 in. (167.6204.5 cm.)
Credit Line
Bequest of Musa Guston
Mediums
Mediums Description
oil on canvas
Classifications
Subjects
  • Abstract
  • Figure — fragment — hand
  • Dress — accessory — shoe
  • Object — furniture — clock
Object Number
1992.89

Artwork Description

Philip Guston made a name for himself as an abstract expressionist, but by the late 1960s he had grown weary of "all that purity." He began creating crudely rendered and emotionally charged paintings filled with cartoony figures and mundane objects. The artist's shift in creative practice, referenced in this work's title, was not a slow and graceful transition but an abrupt right turn. Transition shows Guston hiding behind a canvas, as if taking refuge from the blast of bad press he received after his new work was shown in 1970. A tiny, clownish doorway suggests a move from one place to another, while the clock near the center points to the artist's canvas, as if ticking away the time Guston had left to paint. At once comic and disturbing, the painting is a surreal mix of allegorical and personal references.

Works by this artist (13 items)

About Two
Daten.d.
lithograph
Not on view
John E. Dowell, Jr., Man, 1963, lithograph, Smithsonian American Art Museum, Gift of the Tamarind Lithography Workshop, Inc., 1973.81
Man
Date1963
lithograph
Not on view
Ponte
Date1970-1971
lithograph
Not on view
Louise Nevelson, Untitled, 1963, transfer lithograph on paper, Smithsonian American Art Museum, Gift of June Wayne, 1991.179.11, © 1963, Louise Nevelson
Untitled
Date1963
transfer lithograph on paper
Not on view

More Artworks from the Collection

Leif Wicklund, Sexwick Pottery, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.2
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view
Thomas Hoadley, Bottle Vase in Gray and White, 1981, colored porcelain, Smithsonian American Art Museum, Gift of Donna and John Donaldson in memory of Jean and John Michael on the occasion of the Fifteenth Anniversary of the James Renwick Alliance and the Twenty-fifth Anniversary of the Renwick Gallery, 1997.109.6
Bottle Vase in Gray and White
Date1981
colored porcelain
On view
Leif Wicklund, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.5
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view
Leif Wicklund, Teacup (one of five), ca. 1975, mineral colored clays with fritted lead glaze, Smithsonian American Art Museum, Museum purchase, 1975.132.4
Teacup (one of five)
Dateca. 1975
mineral colored clays with fritted lead glaze
On view