Gold-fringed walls and piñata corncobs transform the Grand Salon of SAAM's Renwick Gallery and highlight the role of maize in North American visual culture.
Human nature is originally good. Any evil in it results from the changes made upon it by external things. Of man’s first disobedience and the fruit of that forbidden tree whose mortal taste brought death into the world for all our woe. –Lu Wang (1139−1192), Chinese Philosopher and John Milton’s Paradise Lost. From the series Great Ideas.
Copied
Jacob Landau, Human nature is originally good. Any evil in it results from the changes made upon it by external things. Of man's first disobedience and the fruit of that forbidden tree whose mortal taste brought death into the world for all our woe. --Lu Wang (1139-1192), Chinese Philosopher and John Milton's Paradise Lost. From the series Great Ideas., 1960, watercolor on paperboard mounted on board, sheet: 175⁄8 x 221⁄8 in. (44.7 x 56.1 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.168
Copied
Artwork Details
Title
Human nature is originally good. Any evil in it results from the changes made upon it by external things. Of man’s first disobedience and the fruit of that forbidden tree whose mortal taste brought death into the world for all our woe. –Lu Wang (1139−1192), Chinese Philosopher and John Milton’s Paradise Lost. From the series Great Ideas.
Copied
Jacob Landau, Human nature is originally good. Any evil in it results from the changes made upon it by external things. Of man's first disobedience and the fruit of that forbidden tree whose mortal taste brought death into the world for all our woe. --Lu Wang (1139-1192), Chinese Philosopher and John Milton's Paradise Lost. From the series Great Ideas., 1960, watercolor on paperboard mounted on board, sheet: 175⁄8 x 221⁄8 in. (44.7 x 56.1 cm), Smithsonian American Art Museum, Gift of Container Corporation of America, 1984.124.168
Download
This media is in the public domain (free of copyright restrictions). You can copy, modify, and distribute this work without contacting the Smithsonian.